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summary
James Slevin traces how composition emerged for him not as a vehicle for improving student writing, but rather as a way of working collaboratively with students to interpret educational practices and work for educational reform.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright
  2. pp. 2-7
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. 1-10
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  1. Part One: Imagining the Work of Composition
  1. Prologue: Toward an Interpretive Pedagogy
  2. pp. 13-17
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  1. 1. Learning the Work of Composition
  2. pp. 18-36
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  1. 2. Inventing and Reinventing the Discipline of Composition
  2. pp. 37-56
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  1. Part Two: Introducing English in America: Education as Conversion and Conservation in Colonial Settings
  1. Prologue
  2. pp. 59-65
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  1. 3. Figuring Pocahontas
  2. pp. 66-81
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  1. 4. Composing the Other: Underwriting Colonial Education
  2. pp. 82-99
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  1. 5. Educating the Other
  2. pp. 100-117
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  1. Epilogue to Part Two
  2. pp. 118-120
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  1. Part Three: The Contexts and Genres of the Intellectual Work of Composition
  1. 6. Reading/Writing in the Classroom and the Profession
  2. pp. 123-141
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  1. 7. Genre as a Social Institution
  2. pp. 142-159
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  1. 8. Academic and Student Genres: Toward a Poetics of Composition
  2. pp. 160-180
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  1. Part Four: Composition’s Work with the Disciplines
  1. 9. Genre Theory, Academic Discourse, and Writing within Disciplines
  2. pp. 183-195
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  1. 10. Working with Faculty Disciplinary Writing Seminars as Interdisciplinary Work
  2. pp. 196-210
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  1. 11. Engaging Intellectual Work: The Role of Faculty in Writing Program Teaching and Assessment
  2. pp. 211-230
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  1. Part Five: Correspondences
  1. 12. The Impolitics of Letters: Undoing Critical Faculties
  2. pp. 233-245
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  1. 13. A Letter to Maggie
  2. pp. 246-252
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  1. Afterword
  2. pp. 253-266
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  1. Notes
  2. pp. 267-272
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  1. References
  2. pp. 273-280
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  1. Index
  2. pp. 281-288
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