In this Book

Expectation
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summary
On the surface a murder mystery—a detective’s search for the killer of five people in Denver—Expectation is also, among other things, a meditation on the relationship between language and music.

In his newest novel, Jeffrey DeShell draws on the musical innovations of Arnold Schoenberg—by turns traditional, serial, and atonal—to inform his grammar and language. Moving progressively through specific Schoenberg compositions, DeShell complicates the surface of his text into lyrical derivatives, all the while drawing us into a murder mystery like no other as Detective Francisca Fruscella pursues both the killer and her own complicated personal history.

By turns rapturous, rigorous, and gripping, Expectation is a thriller of another kind—and a bold venture to the limits of the mystery genre and language itself.

Table of Contents

  1. Cover
  2. pp. 1-1
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  1. Title Page, Copyright, Dedication, Quote
  2. pp. 2-9
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  1. Acknowledgments
  2. pp. ix-x
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  1. Chapter 1. Fünf Klavierstücke op. 23
  2. pp. 1-6
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  1. Chapter 2. Vier Lieder op. 2
  2. pp. 7-18
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  1. Chapter 3. Fünf Klavierstücke op. 23
  2. pp. 19-22
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  1. Chapter 4. Verklärte Nacht op. 4
  2. pp. 23-48
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  1. Chapter 5. Fünf Klavierstücke op. 23
  2. pp. 49-52
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  1. Chapter 6. Erwartung Monodram op. 17
  2. pp. 53-72
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  1. Chapter 7. Fünf Klavierstücke op. 23
  2. pp. 73-76
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  1. Chapter 8. Begleitmusik zu einer Lichtspielszene (Drohende Gefahr, Angst, Katastrophe) op. 34
  2. pp. 77-86
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  1. Chapter 9. Fünf Klavierstücke op. 23
  2. pp. 87-92
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  1. Chapter 10. Phantasy for Violin with Piano Accompaniment op. 47
  2. pp. 93-102
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  1. Note to Readers
  2. pp. 103-116
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