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Making Modernism Soviet
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summary
Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.

Table of Contents

  1. Cover
  2. pp. 1-1
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  1. Title Page, Copyright, Dedication
  2. pp. 2-7
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  1. Contents
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-x
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  1. List of Tables
  2. pp. xi-xii
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  1. Acknowledgments
  2. pp. xiii-xiv
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  1. Abbreviations
  2. pp. xv-xvi
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  1. Introduction
  2. pp. xvii-xxiv
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  1. Chapter One: The Great Experiment: The Moscow Museum of Painterly Culture, 1918-1928
  2. pp. 3-36
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  1. Chapter Two: The Center of Artistic Life: The People's School of Art in Vitebsk, 1919-1923
  2. pp. 37-70
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  1. Chapter Three: The Last Citadel: The Petrograd Museum of Artistic Culture and GINKhUK, 1919-1926
  2. pp. 71-98
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  1. Epilogue
  2. pp. 99-106
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  1. Notes
  2. pp. 107-128
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  1. Bibliography
  2. pp. 129-138
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  1. Index
  2. pp. 139-146
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