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"Collins-Lowry gives persuasive examples of how employment gains made by Blacks in the 80's were rather more marginalized than we like to think." --Publishers Weekly Against the backdrop of increasing ambivalence in the federal government commitment to race-based employment policies, this book reveals how African-Americans first broke into professional and managerial jobs in corporations during the sixties and offers in-depth profiles of their subsequent career experiences. Two sets of interviews with the most successful Black executives in Chicago's major corporations are used to demonstrate how the creation of the Black business elite is connected to federal government pressures and black social unrest that characterized the civil Rights movement in the sixties. Black Corporate Executives presents, first hand, the dilemmas and contradictions that face this first wave of Black managers and reveals a subtle new employment discrimination. Corporations hired these executives in response to race-conscious political pressures and shifted them into "racialized" positions directing affirmative action programs or serving "special" markets of minority clients, customers, or urban affairs. Many executives became, as one man said, "the head Black in charge of Black people." These positions gave upper-middle-class lifestyles to those who held them but also siphoned these executives out of mainstream paths to corporate power typically leading through planning and production areas. As the political climate has become more conservative and the economy undergoes restructuring, these Black executives believe that the importance of recruiting Blacks has waned and that the jobs Blacks hold are vulnerable. Collins-Lowry's analysis challenges arguments that justify dismantling affirmative action. She argues that it is a myth to believe that Black occupational attainments are evidence that race no longer matters in the middle-class employment arena. On the contrary, Blacks' progress and well-being are tied to politics and employment practices that are sensitive to race.

Table of Contents

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  1. Cover
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  1. Frontmatter
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  1. Contents
  2. pp. v-viii
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  1. Introduction
  2. pp. ix-xiv
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  1. Section One: Roots
  1. 1. Traditional Cool and Hot Rhythms.
  2. pp. 1-16
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  1. 2. First Fusions-Orchestras and Brass-Bands
  2. pp. 17-31
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  1. 3. Palm-Wine and Guitars
  2. pp. 32-41
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  1. 4. The Man Who Made a "Traditional" Music Called Kpanlogo
  2. pp. 42-46
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  1. Section Two: Feedback
  1. 5. Ragtime to Rumba
  2. pp. 49-52
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  1. 6. Jazz Comes Home to Africa
  2. pp. 53-57
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  1. 7. Soul to Soul
  2. pp. 58-66
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  1. Section Three: Today's Sounds and Personalities
  1. 8. Fela and the Afro-Beat Revolution
  2. pp. 69-84
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  1. 9. The Juju Boom
  2. pp. 85-93
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  1. 10. Osibisa's Criss-Cross Rhythms
  2. pp. 94-100
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  1. 11. Afro-Rock Catches On
  2. pp. 101-111
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  1. 12. Afro-Disco
  2. pp. 112-121
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  1. 13. Victor Uwaifo, the Guitar Boy
  2. pp. 122-127
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  1. 14. The Drums of Kofi Ayivor
  2. pp. 128-133
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  1. 15. The Afro-Reggae of Sonny Okosun and Alpha Blondy
  2. pp. 134-142
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  1. 16. Guitar-Band Explosion
  2. pp. 143-157
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  1. 17. "F" Promotions
  2. pp. 158-166
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  1. 18. Life on the Road
  2. pp. 167-181
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  1. 19. The African-French Connection
  2. pp. 182-193
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  1. 20. Pushed Out by Apartheid
  2. pp. 194-202
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  1. 21. The Liberian Pop Scene
  2. pp. 203-208
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  1. 22. Francophone West Africa and the Jali Experience
  2. pp. 209-244
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  1. Section Four: Music Business
  1. 23. The African Recording Industry
  2. pp. 247-255
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  1. 24. African Music Unions
  2. pp. 256-261
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  1. 25. Running a Band and a Music Studio in Ghana
  2. pp. 262-282
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  1. Section Five: Cross-Overs
  1. 26. Africa Goes West
  2. pp. 285-286
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  1. 27. The Original African Cross-Overs
  2. pp. 287-297
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  1. 28. Roots, Rasta, Reggae.
  2. pp. 298-304
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  1. 29. Africa and New Wave
  2. pp. 305-307
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  1. 30. Black and White
  2. pp. 308-330
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  1. About the Author
  2. pp. 331-332
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  1. Acknowledgments
  2. pp. 333-334
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  1. Index
  2. pp. 335-350
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