In this Book

Critical Shift
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War was less a disruptive dividing line between radically different artistic eras than a blip on an aesthetic continuum from the antebellum decades to the Gilded Age. To make the case, Georgi closely examines the influential writings of prominent art critics James Jackson Jarves, Clarence Cook, and William James Stillman and finds that the war had little or no impact on their ideas about what art should be and what role it should play in society. With its bold new challenge to the model of periodization that has shaped the history, and historiography, of nineteenth-century American art in the modern era, Critical Shift is a provocative contribution to the history of American art theory and criticism in the nineteenth century.” —Sarah Lea Burns, Indiana University American Civil-War era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi re-reads many of their well-known texts, finding certain key discrepancies between their words and our historiography, pointing to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes-loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics; and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close re-reading of well-known texts are significant for more than just our understanding of nineteenth century criticism. They challenge the fundamental nature of “historical context” in American art history.

Table of Contents

  1. Front Cover
  2. pp. 1-1
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  1. Title Page, Copyright, Dedication
  2. pp. 2-7
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  1. Table of Contents
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. Introduction
  2. pp. 1-20
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  1. Chapter 1: Rereading James Jackson Jarves’s Art-Idea
  2. pp. 21-42
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  1. Chapter 2: Clarence Cook and Jarves: Fact, Feeling, and the Discourse of Truthfulness in Art
  2. pp. 43-57
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  1. Chapter 3: A Further Look at Clarence Cook and the “Revolution” in Art
  2. pp. 58-75
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  1. Chapter 4: William J. Stillman’s Ruskinian Criticism: Metaphor and Essential Meaning
  2. pp. 76-91
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  1. Chapter 5: Art Discourse after Ruskin: Time and History in Art
  2. pp. 92-110
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  1. Notes
  2. pp. 111-122
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  1. Bibliography
  2. pp. 123-130
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  1. Index
  2. pp. 131-136
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  1. Back Cover
  2. pp. 150-150
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