Cover

pdf iconDownload PDF

pp. 1-1

Title Page, Copyright, Dedication, Quote

pdf iconDownload PDF

pp. 2-9

Contents

pdf iconDownload PDF

pp. ix-x

read more

Acknowledgments

pdf iconDownload PDF

pp. xi-xii

This project received the generous support of the Tanner Humanities Center, where I was a Virgil D. Aldrich Fellow in fall 2000, and the University of Utah, which awarded me a faculty fellowship in spring 2001; this year of leave was crucial to beginning my work on this manuscript, and I am most grateful. ...

Note on Transliteration

pdf iconDownload PDF

pp. xiii-xiv

read more

Introduction: Scrounging in the Soviet Garbage Pit

pdf iconDownload PDF

pp. 3-10

Socialist Realism, like Olesha’s “new man,” seems to have had little use for the past except as scrap metal and spare parts for its literary factories and collective farms where the Communist future was always under construction. However, the villains who play such an important part in the socialist realist plot—the kulaks and obstructionists, bourgeois throwbacks and wreckers, ...

read more

Chapter One: Writing a Precarious Balance

pdf iconDownload PDF

pp. 11-33

In Ilya Ilf and Evgeny Petrov’s “How Robinson Was Created” (“Kak sozdavalsia Robinson,” 1933), a writer is assigned the task of composing a “Soviet Robinson Crusoe.” He obediently drafts the story of a sole shipwreck survivor, fighting the elements and bravely battling a hostile environment with only his wit and resourcefulness to aid him in the struggle. ...

read more

Chapter Two: He Does Not Love Us When We Are Dirty

pdf iconDownload PDF

pp. 34-56

With Lenin as the state’s father figure, Soviet children needed clean hands to make “pretty things.” On propaganda posters, in brochures, and in public lectures Bolsheviks preached the virtue of hot water, soap, and scrub brushes.1 Physical hygiene became a sign of mental hygiene which could only be accomplished with political hygiene. ...

read more

Chapter Three: Things That Should Not Be Found

pdf iconDownload PDF

pp. 57-90

By the time Gorky gave his address to the First Congress, it was a well-worn truism that Soviet writers were to enlighten the proletariat and help build the Communist future. During the First Five-Year Plan, many of them had left their solitary writing lives for “direct participation in the construction of a new life,” ...

read more

Chapter Four: Lost in Translation

pdf iconDownload PDF

pp. 91-119

The history of prerevolutionary Russian literature is one of secret societies, censorship, arrest, and exile, as writers attempted social change through the printed word. Maksim Gorky’s Mother (1907), one of the earliest prototypes for socialist realism, ends with the title character beaten by tsarist police as she hands out propaganda pamphlets written by her imprisoned son. ...

read more

Conclusion: Writers Forward!

pdf iconDownload PDF

pp. 120-124

As the 1920s came to an end, proletarian groups increasingly touted Lenin’s 1905 article on party literature as the definitive statement not only about party writers but about any writer in Soviet society: “Literature must become part of the common cause of the proletariat, ‘a cog and screw’ of one single great Social-Democratic mechanism ...

Notes

pdf iconDownload PDF

pp. 125-146

Bibliography

pdf iconDownload PDF

pp. 147-156

Index

pdf iconDownload PDF

pp. 157-170

About the Author

pdf iconDownload PDF

pp. 186-186