In this Book

University of California Press
summary
This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema—both movies and movie-going—in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures—all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns—the latter of which highlight the importance of the emerging star system—Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright
  2. pp. 2-7
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  1. Contents
  2. pp. vii-x
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  1. List of Illustrations
  2. pp. xi-xiv
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  1. Acknowledgments
  2. pp. xv-xviii
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  1. “L’Envoi of Moving Pictures” Motion Picture Story Magazine (June 1912)
  2. pp. 1-2
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  1. Introduction
  2. pp. 3-10
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  1. “Signs of the Times,” Motion Picture Story Magazine (February 1912)
  2. pp. 11-12
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  1. Chapter 1. American Variety and/or Foreign Features: The Throes of Film Distribution
  2. pp. 13-42
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  1. “The Power of a Nickel,” Motion Picture Story Magazine (March 1912)
  2. pp. 43-44
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  1. Entr’acte 1. Mapping the Local Terrain of Exhibition
  2. pp. 45-58
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  1. “My Picture Girl,” Motion Picture Story Magazine (June 1912)
  2. pp. 59-60
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  1. Chapter 2. The “Usable Past” of Westerns: Cowboy, Cowboy Girl, and Indian Pictures, Part 1
  2. pp. 61-82
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  1. “Bein’ Usher in a Motion Picture Show,” Motion Picture Story Magazine (June 1912)
  2. pp. 83-84
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  1. Entr’acte 2. Moviegoing Habits and Everyday Life
  2. pp. 85-102
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  1. “The Motion Picture Cowboy,” Motion Picture Story Magazine (August 1912)
  2. pp. 103-104
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  1. Chapter 3. The “Usable Past” of Westerns: Cowboy, Cowboy Girl, and Indian Pictures, Part 2
  2. pp. 105-124
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  1. “In a Minor Chord,” Motion Picture News (25 November 1911)
  2. pp. 125-126
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  1. Entr’acte 3. A “Forgotten” Part of the Program: Illustrated Songs
  2. pp. 127-138
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  1. “A Dixie Mother,” Motion Picture Story Magazine (July 1911)
  2. pp. 139-140
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  1. Chapter 4. The “Usable Past” of Civil War Films: The Years of the “Golden Jubilee”
  2. pp. 141-168
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  1. “He’s Seen a Lot,” New York Morning Telegraph (8 September 1912)
  2. pp. 169-170
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  1. Entr’acte 4. Another “Forgotten” Part of the Program: Nonfiction
  2. pp. 171-182
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  1. “The Maid of the Movies,” New York Morning Telegraph (14 December 1913)
  2. pp. 183-184
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  1. Chapter 5. The “Usable Present” of Thrillers: From the Jungle to the City
  2. pp. 185-212
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  1. “The Photoplayers,” Photoplay Magazine (July 1913)
  2. pp. 213-214
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  1. Entr’acte 5. Trash Twins: Newspapers and Moving Pictures
  2. pp. 215-228
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  1. “The M. P. Girl,” New York Dramatic Mirror (12 June 1912)
  2. pp. 229-230
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  1. Chapter 6. “The Power of Personality in Pictures”: Movie Stars and “Matinee Girls”
  2. pp. 231-256
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  1. Notes
  2. pp. 257-350
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  1. Bibliography
  2. pp. 351-356
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  1. Index
  2. pp. 357-373
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