Cover

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pp. 1-1

Title Page, Copyright, Dedication

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pp. iii-v

Contents

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pp. vii-vii

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Acknowledgements

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pp. ix-ix

To Perry Meisel, whose work The Myth of the Modern: A Study of British Literature and Criticism After 1850 revealed to me the potential extent of Pater's importance in Joyce; to Bud McGrath, whose The Sensible Spirit: Walter Pater and the Modernist Paradigm suggested to me the dialectical ...

A Note On Primary Texts

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pp. x-x

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Chapter 1. Making Connections

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pp. 1-23

In the summer of 1902, Joyce, having decided to enter Dublin literary society, visited the Irish poet and mystic George Russell. While discussing poetry and metaphysics into the early morning hours, Joyce told Russell that he "abhorred the Absolute over everything else." Russell wrote to Yeats about Joyce, telling him that the young poet had talent, but "was infected ...

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Chapter 2. The Secular Religion

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pp. 25-56

The religious and sensual tensions that Pater and Joyce experienced during their youth are present throughout their fiction. Their autobiographical personae appear in several works. Taken together, FlorIan Deleal in "The Child in the House" and the eponymous figure in Marius the Epicurean, which ...

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Chapter 3. Stephen's Aesthetics and Pater

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pp. 57-84

Before the publication of Ulysses, Joyce's readers debated whether the novelist intended Stephen to be a creative artist or a posturing aesthete at the end of Portrait. Like Robert Scholes, who claimed that Stephen becomes a poet with the composition of the villanelle, some have argued that Stephen

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Chapter 4. Joyce's Epiphanies & Pater

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pp. 85-123

Most comparative studies on Pater and Joyce have focused on the epiphany as a defining instance of the writers' close kinship. In "'Visions and Epiphanies': Fictional Technique in Pater's Marius and Joyce's Portrait" (1973), Robert Scotto argues that, from his reading of Manus ...

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Chapter 5. "Solider Aristotle": Paterian & Joycean Epistemology

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pp. 125-143

Throughout their writings, Pater and Joyce explore epistemological conflicts between matter and spirit. These inquiries are often discourses on empiricism and idealism, and the dialectical tensions within them help form Pater's and Joyce's aesthetics. The clash resembles debates between the ...

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Chapter 6. Conclusion

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pp. 145-149

Critical estimation of the importance of Pater to Joyce falls into two camps. One is represented by T. S. Eliot, who stated that Joyce was greatly interested in Pater but soon outgrew him. The other is represented by Perry Meisel, who, half a century later, argued that Pater's influence on Joyce pervades his ...

Notes

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pp. 151-171

lndex

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pp. 173-180

Back Cover

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pp. 192-192