In this Book

summary

"Tyler Hoffman brings a fresh perspective to the subject of performance poetry, and this comes at an excellent time, when there is such a vast interest across the country and around the world in the performance of poetry. He makes important connections, explaining things in a manner that remains provocative, interesting, and accessible."
---Jay Parini, Middlebury College

American Poetry in Performance: From Walt Whitman to Hip Hop is the first book to trace a comprehensive history of performance poetry in America, covering 150 years of literary history from Walt Whitman through the rap-meets-poetry scene. It reveals how the performance of poetry is bound up with the performance of identity and nationality in the modern period and carries its own shifting cultural politics. This book stands at the crossroads of the humanities and the social sciences; it is a book of literary and cultural criticism that deals squarely with issues of "performance," a concept that has attained great importance in the disciplines of anthropology and sociology and has generated its own distinct field of performance studies. American Poetry in Performance will be a meaningful contribution both to the field of American poetry studies and to the fields of cultural and performance studies, as it focuses on poetry that refuses the status of fixed aesthetic object and, in its variability, performs versions of race, class, gender, and sexuality both on and off the page.

Relating the performance of poetry to shifting political and cultural ideologies in the United States, Hoffman argues that the vocal aspect of public poetry possesses (or has been imagined to possess) the ability to help construct both national and subaltern communities.  American Poetry in Performance explores public poets' confrontations with emergent sound recording and communications technologies as those confrontations shape their mythologies of the spoken word and their corresponding notions about America and Americanness.

Table of Contents

restricted access Download Full Book
  1. Cover
  2. p. 1
  3. restricted access
    • Download PDF Download
  1. Title Page, Copyright, Dedication, Acknowledgments
  2. pp. 2-9
  3. restricted access
    • Download PDF Download
  1. Contents
  2. pp. ix-11
  3. restricted access
    • Download PDF Download
  1. Introduction
  2. pp. 1-15
  3. restricted access
    • Download PDF Download
  1. Chapter 1 - Walt Whitman “Live”: Performing the Public Sphere
  2. pp. 16-54
  3. restricted access
    • Download PDF Download
  1. Chapter 2 - The Ordeal of Vachel Lindsay, or The Cultural Politics of the Spoken Word
  2. pp. 55-87
  3. restricted access
    • Download PDF Download
  1. Chapter 3 - “ The Black Man Speaks”: Langston Hughes, the New Negro, and the Sounds of Citizenship
  2. pp. 88-123
  3. restricted access
    • Download PDF Download
  1. Chapter 4 - Beat Acoustics, Presence, and Resistance
  2. pp. 124-161
  3. restricted access
    • Download PDF Download
  1. Chapter 5 - “Rappin’ and Readin’ ”: The Frequencies of the Black Arts
  2. pp. 162-198
  3. restricted access
    • Download PDF Download
  1. Chapter 6 - Slam Nation: Immediacy, Mediatization, and the Counterpublic Sphere
  2. pp. 198-229
  3. restricted access
    • Download PDF Download
  1. Afterword
  2. pp. 230-234
  3. restricted access
    • Download PDF Download
  1. Notes
  2. pp. 235-262
  3. restricted access
    • Download PDF Download
  1. Index
  2. pp. 263-271
  3. restricted access
    • Download PDF Download
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.