In this Book

summary

Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.

Table of Contents

  1. Cover
  2. pp. 1-1
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  1. Title Page, About the Series, Copyright, Dedication
  2. pp. 2-11
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  1. Contents
  2. pp. ix-x
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  1. Preface
  2. pp. xi-xii
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  1. 1. The Underlying Philosophy
  2. pp. 1-4
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  1. 2. My Way Toward Research
  2. pp. 5-10
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  1. 3. The Limits of Notation
  2. pp. 11-16
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  1. 4. The Notation, Its Perception, and Rendering
  2. pp. 17-18
  1. Pitch
  2. pp. 19-26
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  1. Temperament
  2. pp. 27-32
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  1. Tempo and Rubato
  2. pp. 33-38
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  1. Rhythm
  2. pp. 39-48
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  1. Phrasing
  2. pp. 49-51
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  1. Articulation
  2. pp. 52-55
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  1. Dynamics
  2. pp. 56-60
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  1. Orchestration—Instrumentation—Arrangement
  2. pp. 61-72
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  1. Basso Continuo
  2. pp. 73-75
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  1. Ornamentation
  2. pp. 76-84
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  1. Cadenzas
  2. pp. 85-88
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  1. Improvisation
  2. pp. 89-90
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  1. Manuscript—Print—Revision—Modern Editions
  2. pp. 91-96
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  1. The Audience’s Attitude
  2. pp. 97-99
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  1. The Performer’s Attitude
  2. pp. 100-106
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  1. Emotion and Affect
  2. pp. 107-108
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  1. The Mirror
  2. pp. 109-110
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  1. The Two-Fold Concept of Authenticity
  2. pp. 111-112
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  1. 5. Outlook
  2. pp. 113-114
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  1. Sources of Inspiration
  2. pp. 115-116
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  1. Bibliography
  2. pp. 117-122
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  1. Selective Index
  2. pp. 123-124
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  1. About the Author
  2. pp. 142-142
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Additional Information

ISBN
9780253010681
Related ISBN
9780253010605
MARC Record
OCLC
854521702
Pages
144
Launched on MUSE
2013-10-21
Language
English
Open Access
No
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