In this Book

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Taking Place argues that the relation between geographical location and the moving image is fundamental and that place grounds our experience of film and media. Its original essays analyze film, television, video, and installation art from diverse national and transnational contexts to rethink both the study of moving images and the theorization of place. Through its unprecedented—and at times even obsessive— attention to actual places, this volume traces the tensions between the global and the local, the universal and the particular, that inhere in contemporary debates on global cinema, television, art, and media.

Contributors: Rosalind Galt, U of Sussex; Frances Guerin, U of Kent; Ji-hoon Kim; Hugh S. Manon, Clark U; Ara Osterweil, McGill U; Brian Price, U of Toronto; Linda Robinson, U of Wisconsin–Whitewater; Michael Siegel; Noa Steimatsky, U of Chicago; Meghan Sutherland, U of Toronto; Mark W. Turner, Kings College London; Aurora Wallace, New York U; Charles Wolfe, U of California, Santa Barbara.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Title Page, Copyright
  2. pp. 2-5
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  1. Contents
  2. pp. v-vi
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  1. Introduction: The Matter of Places
  2. pp. vii-xxix
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  1. Part I. Cinematic Style and the Places of Modernity
  2. pp. 1-33
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  1. 1. From Venice to the Valley: California Slapstick and the Keaton Comedy Short
  2. pp. 3-30
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  1. 2. The Eclipse of Place: Rome’s EUR from Rossellini to Antonioni
  2. pp. 31-54
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  1. 3. Tales of Times Square: Sexploitation’s Secret History of Place
  2. pp. 55-76
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  1. 4. Derek Jarman in the Docklands: The Last of England and Thatcher’s London
  2. pp. 77-97
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  1. Part II. Place as Index of Cinema
  2. pp. 99-131
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  1. 5. The Cinecittà Refugee Camp, 1944–50
  2. pp. 101-131
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  1. 6. Right Here in Mason City: The Music Man and Small-Town Nostalgia
  2. pp. 133-156
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  1. 7. When the Set Becomes Permanent: The Spatial Reconfiguration of Hollywood North
  2. pp. 157-180
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  1. 8. The Last Place on Earth? Allegories of Deplacialization in Dennis Hopper’s The Last Movie
  2. pp. 181-208
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  1. Part III. Geopolitical Displacements
  2. pp. 209-241
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  1. 9. The Nonplace of Argento: The Bird with the Crystal Plumage and Roman Urban History
  2. pp. 211-231
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  1. 10. The Placement of Shadows: What’s Inside William Kentridge’s Black Box/Chambre Noire?
  2. pp. 233-253
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  1. 11. Into the “Imaginary” and “Real” Place: Stan Douglas’s Site-Specific Film and Video Projection
  2. pp. 255-276
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  1. 12. Doing Away with Words: Synaesthetic Dislocations in Okinawa and Hong Kong
  2. pp. 277-295
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  1. Part IV. (Not) Being There
  2. pp. 297-329
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  1. 13. Moving through Images
  2. pp. 299-316
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  1. 14. Living Dead Spaces: The Desire for the Local in the Films of George Romero
  2. pp. 317-337
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  1. 15. On the Grounds of Television
  2. pp. 339-361
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  1. Acknowledgments
  2. pp. 363-395
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  1. Contributors
  2. pp. 365-367
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  1. Index
  2. pp. 369-376
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