In this Book

(Dis)embodying Myths in Ancien Régime Opera
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summary
Throughout the Ancien Régime, mythology played a vital role in opera, defining such epoch-making works as Claudio Monteverdi's La favola d'Orfeo (1607) and Christoph Gluck's Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman gods and heroes was anything but unambiguous or unproblematic, however. (Dis)embodying Myths in Ancien Régime Opera highlights myth's chameleonic life in the Italian dramma per musica and French tragédie en musique of the seventeenth and eighteenth centuries. Written by eminent scholars in the fields of music, literature, theatre, and cultural studies, the six essays in this book address important questions. Through what ideological lenses did the Ancien Régime perceive an ancient legacy that was fundamentally pagan and fictitious, as opposed to Christian and rationalistic? What dramaturgies did librettists and composers devise to adapt mythical topics to altering philosophical and esthetic doctrines? Were the ancients' precepts obeyed or precisely overridden by the age of ‘classicism'? And how could myths be made to fit changing modes of spectatorship? Enlightening and wide-ranging on an essentially multidisciplinary development in European culture, (Dis)embodying Myths in Ancien Régime Opera will appeal to all music, literature, and art lovers seeking to deepen their knowledge of an increasingly popular repertoire.

Table of Contents

  1. Title Page, Copyright
  2. pp. 1-4
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  1. Contents
  2. pp. 5-5
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  1. Music Examples and Illustrations
  2. pp. 6-8
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  1. Preface
  2. pp. 9-16
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  1. Lo scherno degli dei: Myth and derision in the dramma per musica of the seventeenth century
  2. pp. 17-32
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  1. Helpings from the great banquets of epic: Handel’s Teseo and Arianna in Creta
  2. pp. 33-62
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  1. Envoicing the divine: Oracles in lyric and spoken drama in seventeenth-century France
  2. pp. 63-96
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  1. Addressing the divine: The ‘numinous’ accompagnato in opera seria
  2. pp. 97-116
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  1. Iphigenia’s curious ménage à trois in myth, drama, and opera
  2. pp. 117-138
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  1. Spectatorship and involvementin Gluck’s Iphigénie en Tauride
  2. pp. 139-154
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  1. Bibliography
  2. pp. 155-170
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  1. Contributors’ biographies
  2. pp. 171-172
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  1. Index
  2. pp. 173-184
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