Lines of Equity
Literature and the Origins of Law in Later Stuart England
Publication Year: 2008
The late seventeenth century was a period of major crises in science, politics, and economics in England. Confronted by a public that seemed to be sunk in barbarism and violence, English writers including John Milton, John Dryden, and Aphra Behn imagined serious literature as an instrument for change. In Lines of Equity, Elliott Visconsi reveals how these writers fictionalized the original utterance of laws, the foundation of states, and the many vivid contemporary transitions from archaic savagery to civil modernity.
In their writings, they considered the nature of government, the extent of the rule of law, and the duties of sovereign and subject. They asked their audience to think like kings and judges: through the literary education of the individual conscience, the barbarous tendencies of the English people might be effectively banished. Visconsi calls this fictionalizing program "imaginative originalism," and demonstrates the often unintended consequences of this literary enterprise.
By inviting the English people to practice equity as a habit of thought, a work such as Milton's Paradise Lost helped bring into being a mode of individual conduct-the rights-bearing deliberative subject-at the heart of political liberalism. Visconsi offers an original view of this transitional moment that will appeal to anyone interested in the cultural history of law and citizenship, the idea of legal origins in the early modern period, and the literary history of later Stuart England.
Published by: Cornell University Press
Title Page, Copyright, Dedication, Quote
I have benefited from the generosity of so many teachers, colleagues, and friends as I have written this book. The incomparable Jayne Lewis has been a constant source of insight, inspiration, and wise counsel; her advice and good judgment have informed the project from its beginnings until its present form. ...
1. Cultivating Equity, Disciplining Race: The Fictional Method and the Origins of Law in Later Stuart England
This is a book about the fictionalization of the origins of law in later Stuart England. My focus is on crucial literary texts such as John Milton’s Paradise Lost and John Dryden’s Indian Emperour, works devoted to demanding of their audience a set of structured interpretive deliberations about the first principles of government, ...
2. The Endless Jar of Justice: John Dryden and the Theater of Judgment
In a panegyric written to curry favor with a new political regime, it might normally be thought strange and surprising to compare the poem’s powerful subject to a flooded mine. Yet in “To the Lord Chancellor Hyde, Presented on New-Years Day 1662,” this is one tack that John Dryden pursues as he solicits the patronage ...
3. Equity Restored: John Milton and the Origins of Law
Toward the very end of Book Twelve of Paradise Lost, the archangel Michael describes a political landscape in which the “unfaithful herd” betray God, revel in Sin, and persecute the few just followers of divine law. Michael’s “grievous wolves” exploit the “sacred Mysteries of heav’n” in the service of “lucre and ambition,” ...
4. Reviving Liberty: Writing the English Republic after 1660
It is no great surprise to find the arch-Whig G. M. Trevelyan describing the later Stuart period as a bloody “reign of terror,” and the English polity as a state haunted by the unpredictable oscillation between tyranny and decadence. The years between the killing of Charles I in 1649 and the revolution of 1688—the “reign of terror”— ...
5. Universal Wolves: Aphra Behn and the English Race
As we saw above, the myth of diasporic origins upon which Dryden’s Troilus and Cressida rests its political argument is a national romance, and the Brutus legend is at its core an assertion of a civil pedigree—a choice of inheritance from a tragic culture that lends to its English progeny the qualities of glorious antiquity. ...
Coda: Robinson Crusoe between Facts and Norms
In his reading of Robinson Crusoe, Ian Watt suggests that Defoe’s novel “annihilated the relationships of the traditional social order” by proposing the life of an ordinary person as the vehicle of a largely secular individualism. For although the novel borrows the form of the spiritual autobiography ...
Page Count: 232
Publication Year: 2008
MUSE Marc Record: Download for Lines of Equity