In this Book

Discourse, Figure
summary
Jean-François Lyotard is recognized as one of the most significant French philosophers of the twentieth century. Although nearly all of his major writing has been translated into English, one important work has until now been unavailable. Discourse, Figure is Lyotard’s thesis. Provoked in part by Lacan’s influential seminars in Paris, Discourse, Figure distinguishes between the meaningfulness of linguistic signs and the meaningfulness of plastic arts such as painting and sculpture. Lyotard argues that because rational thought is discursive and works of art are inherently opaque signs, certain aspects of artistic meaning such as symbols and the pictorial richness of painting will always be beyond reason’s grasp.
 
A wide-ranging and highly unusual work, Discourse, Figure proceeds from an attentive consideration of the phenomenology of experience to an ambitious meditation on the psychoanalytic account of the subject of experience, structured by the confrontation between phenomenology and psychoanalysis as contending frames within which to think the materialism of consciousness. In addition to prefiguring many of Lyotard’s later concerns, Discourse, Figure captures Lyotard’s passionate engagement with topics beyond phenomenology and psychoanalysis to structuralism, semiotics, poetry, art, and the philosophy of language.

Table of Contents

  1. COVER
  2. pp. 1-1
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  1. Title Page, Copyright, Dedication
  2. pp. 2-8
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  1. CONTENTS
  2. pp. 9-11
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  1. INTRODUCTION: The Gold-Bug
  2. pp. xi-xxiii
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  1. DISCOURSE, FIGURE
  2. pp. 26-27
  1. The Bias of the Figural
  2. pp. 3-19
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  1. SIGNIFICATION AND DESIGNATION
  2. pp. 46-47
  1. Dialectics, Index, Form
  2. pp. 23-50
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  1. Recessus and Hyper-Reflection
  2. pp. 51-71
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  1. Linguistic Sign?
  2. pp. 72-89
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  1. Effect of Thickness in the System
  2. pp. 90-102
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  1. Thickness on the Margins of Discourse
  2. pp. 103-114
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  1. The No and the Position of the Object
  2. pp. 115-128
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  1. Opposition and Difference
  2. pp. 129-156
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  1. VEDUTA ON A FRAGMENT OF THE “HISTORY” OF DESIRE
  2. pp. 157-201
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  1. THE OTHER SPACE
  2. pp. 228-229
  1. The Line and the Letter
  2. pp. 205-232
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  1. “The Dream-Work Does Not Think”
  2. pp. 233-267
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  1. Desire’s Complicity with the Figural
  2. pp. 268-276
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  1. Desire in Discourse
  2. pp. 277-326
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  1. Fiscourse Digure: The Utopia behind the Scenes of the Phantasy
  2. pp. 327-355
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  1. Return, Auto-Illustration, Double Reversal
  2. pp. 356-389
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  1. APPENDIX: Jean-François Lyotard’s French Translation of “Die Verneinung”
  2. pp. 391-396
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  1. NOTES TO CHAPTERS
  2. pp. 397-479
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  1. Image Plates
  2. pp. 506-536
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  1. NOTES ON FIGURES AND PLATES
  2. pp. 481-491
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  1. BIBLIOGRAPHY
  2. pp. 492-502
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  1. INDEX OF NAMES
  2. pp. 503-508
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  1. INDEX OF CONCEPTS AND GERMAN EXPRESSIONS
  2. pp. 509-516
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  1. About the Authors
  2. pp. 574-574
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