Cover

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pp. 1-1

Title Page, Copyright

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pp. 2-5

Contents

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pp. v-vi

List of Illustrations

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pp. vii-viii

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Acknowledgments

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pp. ix-x

The body of this book has been shaped by the generous contributions of mentors, professors, colleagues, friends, and family. First, I am deeply grateful to R. M. Berry for his guidance on my dissertation, which was the foundation for this book. ...

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Introduction

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pp. 1-8

The literary criticism of the past few decades has inclined toward an understanding of experimental literature in privative terms: innovative texts, in their linguistic experimentations, are perceived to negate social conventions. In this context, formally innovative writing is considered alternative, oppositional, defiant, subversive, transgressive, and resistant. ...

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Chapter One. Erotic Etudes: Theory of the Self and Language

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pp. 9-30

In Eroticism, Bataille considers eroticism as a special form of sexuality. He claims that eroticism “leads to the discontinuity of beings, but brings into play their continuity” (13). Indeed, the sexual act requires that two beings interact intimately, which implies that, during this interaction, they lose their discontinuity: ...

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Chapter Two. Semiotics and Erotics in Joseph McElroy’s Plus

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pp. 31-54

The above excerpt from the first pages of Plus introduces some of the key themes of the novel: knowledge, language, and bodily matters, all of which feel in “between,” “sid[ed],” in “the middle.” This state of in-between-ness is the result of a science experiment that has sent the disembodied brain of a scientific researcher into orbit between the earth and the sun. ...

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Chapter Three. “A Certain Pulsing”: The Erotic Page in Carole Maso’s AVA

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pp. 55-78

AVA recounts the last day of Ava Klein, a thirty-nine-year-old professor of comparative literature, who is dying of a rare cancer. Thus, the recollection of her thoughts, as exemplified in this passage, is often interrupted by medical requests—“Turn over on your side” (8). ...

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Chapter Four. Erotics and Corporeality in Theresa Hak Kyung Cha’s DICTEE

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pp. 79-99

This excerpt from Cha’s draft figures at the end of DICTEE’s chapter “CLIO HISTORY,” which documents the Japanese invasion of Korea and the actions of the revolutionary Yu Guan Soon. Soon’s struggles correlate with other female figures’ physical, psychological, and emotional trials recorded through painful linguistic processes: ...

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Chapter Five. Bodily and Literary Modifications in Steve Tomasula’s VAS: An Opera in Flatland

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pp. 100-132

The cover of VAS: An Opera in Flatland posits Tomasula’s interest in the materiality of literature: the novel looks like a punctured and tattooed body cradled in the reader’s hand. The chromosome code that interrupts the title is pressed into the skin of the book, its color in contrast with the red letters of the title and of the author’s and designer’s names. ...

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Conclusion

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pp. 133-140

Traditionally, critics think that experimental fictions, in their disruption of conventional storytelling and language uses, propose a counterpractice that resists literary and social customs. The attention given to these fictions’ resistance has been and remains vital to the reading of innovative works, ...

Works Cited

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pp. 141-150

Index

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pp. 151-161

Back Cover

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pp. 173-173