Cover

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pp. 1-3

Title Page

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pp. 4-4

Copyright Page

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pp. 5-5

Dedication Page

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pp. 6-9

Table of Contents

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pp. ix-x

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Foreword

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pp. xi-xii

Signals combines a matter-of-fact lyrical eye with a view to harder social realities, and there is a consistency in the collection, a working with and around couplets and tercets, a sparseness that seems to match an arid landscape, a place where one searches for hope. ...

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Acknowledgments

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pp. xiii-xiv

Grateful acknowledgment is made to the editors of the following publications in which these poems first appeared, some in slightly different versions: ...

I

Trough

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pp. 3-18

Silver

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pp. 4-19

What I Found

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pp. 5-7

Self-Portrait with Lettered Olives

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pp. 8-23

Tansy

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pp. 9-24

Kilnaboy

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pp. 10-11

Variations on a Postcard, Achill Island, 1960s

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pp. 12-14

II

Inventory

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pp. 17-18

Auction

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pp. 19-20

Blue

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pp. 21-22

Emblem

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pp. 23-38

Flaneur

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pp. 24-25

At the Mütter Museum

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pp. 26-27

Home Economics

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pp. 28-43

Cabin near Caesar’s Head

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pp. 29-30

Spider Lilies

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pp. 31-32

III

Here, or the White Boy on the Bus

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pp. 35-36

Confederates

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pp. 37-38

Signals

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pp. 39-40

Journal

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pp. 41-42

Molasses

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pp. 43-44

Pest Houses, Sullivan’s Island

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pp. 45-49

Sunday Morning,Wadmalaw

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pp. 50-53

Coastal

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pp. 54-55

Three Poems on Politics

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pp. 56-58

Amagon, Arkansas

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pp. 59-60

Roots: An Essay on Race

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pp. 61-66

Dialectics

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pp. 67-82

Rites

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pp. 68-70

Notes

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pp. 71-72