In Wonder and Exile in the New World, Alex Nava explores the border regions in-between wonder and exile particularly in relation to the New World. It traces the preoccupation with the concept of wonder in the history of the Americas beginning with the first European encounters, and goes on to investigate later representations in the Baroque age, and ultimately into the twentieth century with the emergence of so-called magical realism. In telling the story of wonder in the New World, special attention is given to the part it played in the history of violence and exile, either as a force that supported and reinforced the conquest, or as a voice of resistance and decolonization.
Focusing on the work of New World explorers, writers, and poets—and their literary descendants, Nava finds that wonder and exile have been two of the most significant metaphors within Latin American cultural, literary, and religious representations. Beginning with the period of the Conquest, especially with Cabeza de Vaca and Las Casas, and continuing through the Baroque with Cervantes and Sor Juana Inés de la Cruz, and into the twentieth century with Alejo Carpentier and Miguel Ángel Asturias, Nava produces a historical study of Latin American narrative in which religious and theological perspectives figure prominently.