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“Each of these marvelous poems engages as instantly as a photograph: you read two or three words and you’re on the scene, recoiling in horror as Trotsky is murdered or twisting uncomfortably as your daughter buys her first bra. There’s no need to ‘develop’ Stephen Gibson’s pictures; they enter your mind so fast that you can’t help feeling that what’s happening on the page has already happened and that, very likely, you were there when it did. He’s a poet for other poets to learn from, for no one else writing today uses language as economically or to more immediate effect.” -- David Kirby

Table of Contents

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  1. Frontmatter
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  1. Frontmatter
  2. pp. 3-6
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  1. Contents
  2. pp. 7-10
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  1. Section I. Indians
  2. pp. 11-12
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  1. Indians
  2. p. 13
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  1. The Answer
  2. p. 14
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  1. The Odyssey at Horn and Hardart
  2. p. 15
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  1. Nature
  2. p. 16
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  1. Letter to Erasmus
  2. p. 17
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  1. Portrait of My Daughter in the Park
  2. p. 18
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  1. Family
  2. p. 19
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  1. Arsenic
  2. p. 20
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  1. The Great War: A Memory
  2. p. 21
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  1. American Primitive
  2. p. 22
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  1. Section II. The Treason of Images
  2. pp. 23-24
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  1. The Treason of Images
  2. p. 25
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  1. George Segal: Girl Putting On Scarab Necklace
  2. p. 26
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  1. Bonnard: Blue Nude
  2. p. 27
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  1. Andy Warhol: Suicide, 1963
  2. p. 28
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  1. Woman with Chrysanthemums
  2. p. 29
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  1. Sestina: of the Pain in the Ass that Love for a Yourthful Lady Is
  2. pp. 30-31
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  1. Moral
  2. p. 32
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  1. Tadamori and the Oil Thief
  2. p. 33
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  1. A Bar at the Folies-Bergere, Manet, 1882
  2. p. 34
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  1. Section III. Histories/Oddities
  2. pp. 35-36
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  1. The Origin of Species
  2. p. 37
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  1. The Coming of Agriculture
  2. p. 38
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  1. Nelson’s Glass Eye
  2. p. 39
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  1. der Krotenkusser
  2. pp. 40-41
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  1. Rereading Foucault’s Pierre Riviere
  2. pp. 42-43
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  1. Working Alexandria Bay for Bass
  2. p. 44
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  1. Father Gregory
  2. p. 45
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  1. Arson
  2. pp. 46-47
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  1. The Ax-murder of Trotsky by Ramon Mercader, Mexico, August 20, 1940
  2. p. 48
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  1. Opening of the Fascist Art Exhibition, Rome, 1933
  2. p. 49
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  1. Ciano's Overcoat: The Execution of Galeazzo Ciano, Mussolini’s Son-in-law, Ordered by the Duce, Verona, January 11, 1944
  2. p. 50
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  1. The Bacchae: The Deaths of Benito Mussolini and Claretta Petacci, Milan, April 29, 1945
  2. p. 51
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  1. Tarmac
  2. p. 52
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  1. Section IV. Rorschach Art
  2. pp. 53-54
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  1. Rembrandt’s Flayed Ox
  2. p. 55
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  1. The Parable of the Blind
  2. p. 56
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  1. Modigliani’s Oxymoronic Nudes
  2. p. 57
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  1. The Duel After the Masquerade
  2. p. 58
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  1. Christmas in Radio City
  2. p. 59
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  1. Blue Underwear
  2. p. 60
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  1. The Bra
  2. p. 61
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  1. Squid
  2. p. 62
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  1. Rorschach Art
  2. pp. 63-64
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