Title Page, Copyright, Dedication, Quote

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pp. 1-6

Contents

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pp. vii-viii

Acknowledgments

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pp. ix-xii

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Introduction

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pp. 1-13

At first glance, the central contention of this book might seem uncomplicated: that the Windrush novelists, West Indians living and publishing in London after World War II, emerged into prominence via an overt affiliation with literary modernism.1 Indeed, as this book hopes to show in the pages that follow, when these influential Anglophone Caribbean novels are read within the000

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1. At the Scene of the Time: Postwar London

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pp. 14-41

Early in his 1960 volume of essays, The Pleasures of Exile, George Lamming fixes his sharply analytical eye on “an English critic, Mr. Kingsley Amis, discussing West Indian novelists in the Spectator” (28). The discussion in question, Amis’s 1958 “Fresh Winds from the West,” treats eight recently released books by Caribbean authors and stands as a testament to the high visibility...

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2. “Child of Ferment”: Edgar Mittelholzer’s Contrary Tradition

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pp. 42-72

Guyanese author Edgar Mittelholzer is a largely overlooked figure in the contemporary annals of Anglophone Caribbean literature. Despite the fact that during his life he was identified as “the doyen of the new school of West Indian writers” (Rickards, “Tribute,” 98) and considered to be foremost among West Indian novelists (Amis, “Fresh Winds from the West,” 565), his literary output...

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3. Engaging the Reader: The Difficulties of George Lamming

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pp. 73-102

Like Mittelholzer, the Barbadian author George Lamming was readily received in postwar literary London as an experimental “high-art” writer. In contrast to Mittelholzer’s eclectic habits of innovation tout court, however, Lamming’s experimentation was consistently understood as a recognizable species of self-consciously difficult writing in the tradition of Faulkner, Joyce, and Woolf. In...

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4. A Commoner Cosmopolitanism: Sam Selvon’s Literary Forms

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pp. 103-133

Although both Mittelholzer and Lamming were readily associated with a serious, high intellectual tradition of experimental writing, the work of Samuel Selvon (who famously traveled to Britain in 1950 on the same boat as Lamming) is often understood in much different terms. Noted especially for its...

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5. The Lyrical Enchantments of Roger Mais

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pp. 134-168

Jamaican novelist Roger Mais, although he arrived in London not long after Lamming, Mittelholzer, and Selvon, took a rather different path toward metropolitan literary success. Comparatively isolated from the eastern Caribbean cultural scene, and evidently disliked by Cedric and Gladys Lindo, the Jamaica-based editorial gatekeepers for Caribbean Voices, Mais was already well...

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Coda: Kamau Brathwaite, Wilson Harris,and V. S. Naipaul’s Caribbean Voice

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pp. 169-184

The year 1962 can be seen as something of a watershed for the West Indian presence, both literary and actual, in Britain. Most important, the passage of the Commonwealth Immigrants Act of 1962 decisively restricted the entry of new migrants from the entire ex-empire. Though the flow of immigrants did not dry up immediately—mainly due to the continued ability of spouses...

Notes

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pp. 185-214

Bibliography

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pp. 215-234

Index

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pp. 235-246