In this Book

summary
This dynamic collection explores the life, work, and persona of saxophonist Fred Ho, an unabashedly revolutionary artist whose illuminating and daring work redefines the relationship between art and politics. Scholars, artists, and friends give their unique takes on Ho's career, articulating his artistic contributions, their joint projects, and personal stories. Exploring his musical and theatrical work, his political theory and activism, and his personal life as it relates to politics, Yellow Power, Yellow Soul offers an intimate appreciation of Fred Ho's irrepressible and truly original creative spirit.
 
Contributors are Roger N. Buckley, Peggy Myo-Young Choy, Jayne Cortez, Kevin Fellezs, Diane C. Fujino, Magdalena Gómez, Richard Hamasaki, Esther Iverem, Robert Kocik, Genny Lim, Ruth Margraff, Bill V. Mullen, Tamara Roberts, Arthur J. Sabatini, Kalamu ya Salaam, Miyoshi Smith, Arthur Song, and Salim Washington.

Table of Contents

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  1. Cover
  2. p. C
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  1. Title Page, Series Page, Copyright
  2. pp. i-vi
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  1. Contents
  2. pp. vii-viii
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  1. Foreword
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-xii
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  1. Fred Ho’s Demon Baritone Saxophoneand His Green Monst er Band Blowingthe Demons Down
  2. pp. xiii-xiv
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  1. Introduction
  2. pp. 1-30
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  1. Part I: Revolution in Music
  1. It Remains to Be Seen
  2. pp. 32-34
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  1. 1. Enter the Voice of the Dragon
  2. pp. 35-53
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  1. 2. “Oh the Hilt,the Hilt Again Please”
  2. pp. 54-62
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  1. 3. Fred Ho’s Operatic Journey
  2. pp. 63-94
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  1. Part II: The Aesthetics of Politics
  1. Politics and Poetry
  2. p. 96
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  1. 4. “Return to the Source”
  2. pp. 97-119
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  1. 5. Red Dragon, Blue Warrior
  2. pp. 120-146
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  1. 6. In Fred Ho’s Body of Work
  2. pp. 147-160
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  1. Part III: A Life in Community
  1. This Evening
  2. p. 162
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  1. 7. Machete and Chopsticks
  2. pp. 163-177
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  1. 8. Somewhere between Ideology,Practice, and the Cellular War. . . the Dolphins Sing
  2. pp. 178-190
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  1. 9. “That’s Why the WorkIs What It Is”
  2. pp. 191-213
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  1. 10. Go On, Shoot
  2. pp. 214-224
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  1. Excerpts from “Re-English, for Fred Ho”
  2. pp. 225-226
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  1. Afterword
  2. pp. 227-230
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  1. Appendixes
  2. pp. 231-232
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  1. Discography
  2. pp. 233-237
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  1. Production History
  2. pp. 238-241
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  1. Curriculum Vitae
  2. pp. 242-254
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  1. Contributors
  2. pp. 255-262
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  1. Index
  2. pp. 263-271
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  1. Further Reading, Production Note, Back Cover
  2. pp. 272-BC
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