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There is no question that the Passion is the most controversial Jesus-if not religious-movieever made. The articles...are an attempt by academics to explain why. Five essays were presentedin an earlier version at the Jewish Studies Symposium on key issues raised by The Passion of the Christ held at Purdue University on March 30, 2004 (Garber, Mork, Pawlikowski, Robertson, Young); and 15 essays (Bartchy, Edelheit, Edelman, Feldman, Golan, Greenberg, Haas, Holdredge, Jacobs, Libowitz, Moore, Neusner, Wheeler, Zuckerman) complement the Purdue Symposium. The contributors reflect on a plethora of issues, and they show that concerned andinformed Jews and Christians together can assess dis/misinformation, monitor dissent, alleviate community fears, and reassure that the solid rock of Jewish-Catholic-Protestant dialogue, though assailed, has not become chipped.

Table of Contents

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  1. Cover
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  1. Contents
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  1. Introduction
  2. pp. 1-4
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  1. Section 1. Reflections on the Film
  2. p. 5
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  1. 1. Review of The Passion of the Christ
  2. pp. 7-12
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  1. 2. Gibson at the Crossroads
  2. pp. 13-20
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  1. 3. Gibson’s Passion
  2. pp. 21-30
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  1. 4. Where Are the Flies? Where Is the Smoke? The Real and Super-Real in Mel Gibson’s The Passion
  2. pp. 31-38
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  1. 5. How Austrians Viewed The Passion of the Christ
  2. pp. 39-44
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  1. 6. Mel Gibson’s The Passion of the Christ and the “Via Media”
  2. pp. 45-53
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  1. Section 2. Scriptural Jesus and Gibson’s Passion
  2. p. 55
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  1. 7. The Quest of the Historical Jesus Revisited: Gibson’s The Passion of the Christ
  2. pp. 57-62
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  1. 8. The Jewish Jesus: A Partisan’s Imagination
  2. pp. 63-69
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  1. 9. History, Archaeology, and Mel Gibson’s Passion
  2. pp. 70-75
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  1. 10. Where Is the History in Mel Gibson’s The Passion of the Christ?
  2. pp. 76-92
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  1. 11. Reflections on Mel Gibson’s The Passion of the Christ
  2. pp. 93-107
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  1. 12. Crucifixion in Rabbinic Context: Juridical or Theological?
  2. pp. 108-113
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  1. Section 3. Diversity and Dialogue
  2. p. 115
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  1. 13. Dramatizing the Passion: From Oberammergau to Gibson
  2. pp. 117-123
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  1. 14. Deicide Déjà Vu: Mel Gibson’s Film The Passion—An Attack on Forty Years of Jewish-Christian Dialogue
  2. pp. 124-128
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  1. 15. Gibson’s Passion: The Challenges for Catholics
  2. pp. 129-133
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  1. 16. Gibson’s Passion on a Catholic Campus
  2. pp. 134-139
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  1. 17. Mel Gibson’s The Passion of the Christ: A Protestant Perspective
  2. pp. 140-143
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  1. 18. Jewish “Officialdom” and The Passion of the Christ: Who Said What and What Did They Say?
  2. pp. 144-153
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  1. 19. A View from the Pew on Gibson’s Passion
  2. pp. 154-158
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  1. 20. The Passion of the Christ and Congregational Interfaith Relations
  2. pp. 159-163
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  1. Bibliography
  2. pp. 165-175
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  1. Contributors
  2. pp. 177-180
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  1. Index
  2. pp. 181-184
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  1. Back
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