In this Book

Wonderlands of the Avant-Garde

Table of Contents

  1. Cover
  2. pp. 1-1
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  1. Title Page, Copyright, Dedication, Quote
  2. pp. 2-7
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  1. Contents
  2. pp. vii-viii
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  1. List of Illustrations
  2. pp. ix-x
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  1. Acknowledgments
  2. pp. xi-2
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  1. Introduction - Imaginative and Instrumental Technologies
  2. pp. 3-22
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  1. Part I. Homo Faber, Homo Ludens
  2. pp. 23-24
  1. Chapter One - Poetry in Motion: Aleksei Gastev and the Aesthetic Origins of Soviet Biomechanics
  2. pp. 25-53
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  1. Chapter Two - The Biomechanics of Infidelity: Range of Motion and Limits of Control in Meyerhold’s Theater
  2. pp. 54-84
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  1. Part II. Alternative Technologies
  2. pp. 85-86
  1. Chapter Three - Writing as Bodily Technology in Zamyatin’s We, or a Portrait of an Avant-Garde Artist as a Malfunctioning Machine
  2. pp. 87-100
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  1. Chapter Four - The Incredible Heights of Organic Architecture: Tatlin, Khlebnikov, and the Technological Sublime
  2. pp. 101-132
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  1. Chapter Five - Olesha’s Suicide Machine
  2. pp. 133-146
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  1. Part III. The Homeland of Technology
  2. pp. 147-148
  1. Chapter Six - Convention, Play, and Technology in Russian Explorers’ American Discoveries
  2. pp. 149-181
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  1. Chapter Seven - Red Pinkertons: Adventures in Artificial Reality
  2. pp. 182-223
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  1. Conclusion - Poetics of the Unconscriptable
  2. pp. 224-232
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  1. Notes
  2. pp. 233-278
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  1. Works Cited
  2. pp. 279-294
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  1. Index
  2. pp. 295-308
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  1. About the Author
  2. pp. 322-322
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