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summary
In her penetrating new study, Na’ama Rokem observes that prose writing—more than poetry, drama, or other genres—came to signify a historic rift that resulted in loss and disenchantment. In Prosaic Conditions, Rokem treats prose as a signifying practice—that is, a practice that creates meaning. During the nineteenth and twentieth centuries, prose emerges in competition with other existing practices, specifically, the practice of performance. Using Zionist literature as a test case, Rokem examines the ways in which Zionist authors put prose to use, both as a concept and as a literary mode. Writing prose enables these authors to grapple with historical, political, and spatial transformations and to understand the interrelatedness of all of these changes.

Table of Contents

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  1. Cover
  2. p. 1
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  1. Copyright
  2. pp. 2-5
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  1. Contents
  2. pp. 6-7
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  1. Acknowledgments
  2. pp. vii-viii
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  1. List of Abbreviations
  2. p. ix
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  1. Preface
  2. pp. xi-xxi
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  1. Chapter One. Prose Regnant: World, State, and Subject in Hegel’s Lectures on Aesthetics
  2. pp. 3-19
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  1. Chapter Two. Heinrich Heine, Explorer of the Current Prosaic Condition
  2. pp. 20-46
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  1. Chapter Three. Mediated Situatedness in the Reception of Heinrich Heine
  2. pp. 47-72
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  1. Chapter Four. Theodor Herzl’s Technocratic World-Making in Prose
  2. pp. 73-94
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  1. Chapter Five. Haim Nahman Bialik’s Icy River of Prose
  2. pp. 95-118
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  1. Chapter Six. Heine and the Israeli Novel
  2. pp. 119-151
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  1. Conclusion
  2. pp. 153-157
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  1. Notes
  2. pp. 159-192
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  1. Bibliography
  2. pp. 193-211
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  1. Index
  2. pp. 213-221
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