In this Book

Queer Bergman
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summary
Foregrounding a fundamental aspect of the Swedish auteur’s work that has been routinely ignored, as well as the vibrant connection between postwar American queer culture and European art cinema, this book offers a pioneering reading of Bergman’s films as profoundly queer work.

Table of Contents

  1. Cover
  2. pp. c-c
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  1. Title Page, Copyright Page
  2. pp. i-viii
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  1. Acknowledgments
  2. pp. ix-xiv
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  1. Introduction. Ingmar Bergman and the Foreign Self
  2. pp. 1-20
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  1. 1. “Foreign and Refreshing”: The Art Cinema’s Queer Allure
  2. pp. 21-58
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  1. 2. The Cultural Construction of a Cold War Auteur: Discourse and Counterdiscourse
  2. pp. 59-104
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  1. 3. The Uncanny Undefined
  2. pp. 105-132
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  1. 4. Staring Down Gender: “Caught Between the Shame of Looking and the Shame of Being Ashamed to Do So”
  2. pp. 133-166
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  1. Conclusion
  2. pp. 167-176
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  1. Notes
  2. pp. 177-202
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  1. Bibliography
  2. pp. 203-212
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  1. Index
  2. pp. 213-220
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