In this Book

summary

The new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s.

Table of Contents

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  1. Cover
  2. p. 1
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  1. The Dame in the Kimono
  2. pp. 2-3
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  1. Title
  2. p. 4
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  1. Copyright
  2. p. 5
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  1. Dedication
  2. p. v
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  1. Contents
  2. pp. 8-9
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  1. Acknowledgments
  2. pp. ix-xi
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  1. Preface
  2. pp. xiii-xvii
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  1. The Production Code 1922–1934
  1. 1. Welcome Will Hays!
  2. pp. 3-17
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  1. 2. Welcome Mae West!
  2. pp. 18-33
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  1. 3. Welcome Joe Breen!
  2. pp. 34-56
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  1. The Production Code Administration 1934–1966
  1. 4. Dead End
  2. pp. 59-80
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  1. 5. Gone With the Wind
  2. pp. 81-112
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  1. 6. The Outlaw and The Postman Always Rings Twice
  2. pp. 113-144
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  1. 7. The Bicycle Thief
  2. pp. 145-166
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  1. 8. Detective Story and A Streetcar Named Desire
  2. pp. 167-189
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  1. 9. The Moon Is Blue and The French Line
  2. pp. 190-218
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  1. 10. Lolita
  2. pp. 219-246
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  1. 11. Who's Afraid of Virginia Woolf?
  2. pp. 247-271
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  1. Aftermath
  2. pp. 272-283
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  1. Appendix: The Motion Picture Production Code
  2. pp. 285-300
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  1. Notes
  2. pp. 301-339
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  1. Selected Bibliography
  2. pp. 341-348
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  1. Selected Filmography
  2. pp. 349-358
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  1. About the Authors
  2. p. 359
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  1. Index
  2. pp. 361-377
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  1. Images
  2. pp. 397-412
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