Cover

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pp. 1-3

Title Page, Further Reading, Copyright

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pp. 4-9

CONTENTS

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pp. 10-11

Acknowledgments

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pp. xi-xi

Scripture

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pp. 1-2

Instead

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pp. 3-4

Old School

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pp. 5-5

Dress Up

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pp. 6-6

Accounts

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pp. 7-7

Event Horizon

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pp. 9-9

Cold

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pp. 10-10

Just Saying

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pp. 11-12

Ghosted

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pp. 13-14

Remainder

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pp. 15-16

Suggestion

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pp. 17-18

Spent

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pp. 19-19

My Taste

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pp. 20-20

Haunts

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pp. 21-22

Parting Shots

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pp. 23-23

Inflection

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pp. 24-25

The Look

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pp. 26-27

At Least

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pp. 28-29

Holding Pen

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pp. 30-30

Subdivision

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pp. 31-31

My Apocalypse

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pp. 32-32

Things

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pp. 33-34

Entry

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pp. 35-36

Arrivals

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pp. 37-38

Circulating

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pp. 39-39

Production

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pp. 40-40

Being Seen

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pp. 41-42

Transactions

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pp. 43-44

At

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pp. 45-45

Action Poem

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pp. 46-46

The Thinning

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pp. 47-48

Elements of Blank

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pp. 49-49

Situation

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pp. 50-51

Midst

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pp. 52-52

Representative

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pp. 53-54

Second Order

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pp. 55-55

Scale

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pp. 56-57

Custom

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pp. 58-58

And

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pp. 59-59

Treatment

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pp. 60-60

Coming Out

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pp. 61-62

Watch This

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pp. 63-63

Experts

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pp. 64-65

Experimental Design

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pp. 66-66

Meeting Expectations

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pp. 67-67

Problem Areas

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pp. 68-68

Between Islands

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pp. 69-70

Half Lives

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pp. 71-71

Progress

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pp. 72-73

The Music Teacher

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pp. 74-74

Without End

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pp. 75-76

Bardos

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pp. 77-78

Living Space

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pp. 79-80

Luster

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pp. 81-82

Formal Constraints

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pp. 83-84

Rounds

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pp. 85-85

Mother’s Day

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pp. 86-87

Thus

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pp. 88-88

Focus

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pp. 89-89

The Elect

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pp. 90-90

New Intelligence

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pp. 91-92

Another

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pp. 93-93

Still and All

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pp. 94-95

Real Time

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pp. 96-97

Meant

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pp. 98-99

Hymn

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pp. 100-100

Stop and Go

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pp. 101-101

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About the Author

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pp. 103-103

Rae Armantrout is a professor of writing and literature at the University of California, San Diego, and the author of eleven books of poetry, most recently Money Shot (2011) and Versed (2009). The ...