In this Book

Nordic Exposures
summary
Nordic Exposures explores how Scandinavian whiteness and ethnicity functioned in classical Hollywood cinema between and during the two world wars.

Table of Contents

  1. Cover
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  1. Frontmatter
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. 3-15
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  1. 1. Racializing Vinland - The Nordic Conquest of Whiteness in Technicolor’s The Viking
  2. pp. 16-37
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  1. 2. Scandinavian/American Whiteface - Ethnic Whiteness and Assimilation in Victor Sjöström’s He Who Gets Slapped
  2. pp. 38-63
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  1. 3. Hotel Imperial - The Border Crossings of Mauritz Stiller
  2. pp. 64-89
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  1. 4. Garbo Talks! - Scandinavians, the Talkie Revolution, and the Crisis of Foreign Voice
  2. pp. 90-116
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  1. 5. Charlie Chan is Swedish - The Asian Racial Masquerades and Nordic Otherness of Warner Oland
  2. pp. 117-144
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  1. 6. Two-Faced Women - Hollywood’s and Third Reich Cinema’s War for the Nordic Female Star
  2. pp. 145-175
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  1. Conclusion
  2. pp. 176-179
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  1. Notes
  2. pp. 181-197
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  1. Bibliography
  2. pp. 199-206
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  1. Index
  2. pp. 207-221
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