In this Book

Singing the Self
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summary
This book is a study of a Soviet cultural phenomenon of the 1960s and 70s known as guitar poetry – songs accompanied by guitar and considered poetry in much the same way as those of, for example, Bob Dylan. Platonov’s is the most comprehensive book in English to date to analyze guitar poetry, which has rarely received scholarly attention outside of Russia.

Table of Contents

  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. p. vii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Author's Note
  2. p. xi
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  1. Introduction
  2. pp. 3-12
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  1. PART 1 Contexts
  2. p. 13
  1. Chapter One
  2. pp. 15-37
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  1. Chapter Two
  2. pp. 38-54
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  1. PART II Guitar Poetry's Selves and Communities
  2. p. 55
  1. Chapter Three
  2. pp. 57-76
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  1. Chapter Four
  2. pp. 77-98
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  1. PART III Lyrical Marginalities and Beyond
  2. p. 99
  1. Chapter Five
  2. pp. 101-127
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  1. Chapter Six
  2. pp. 128-153
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  1. Chapter Seven
  2. pp. 154-180
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  1. Conclusion
  2. pp. 181-186
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  1. Notes
  2. pp. 187-236
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  1. Bibliography
  2. pp. 237-260
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  1. Index
  2. p. 261
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  1. About the Author
  2. pp. 288-288
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