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The International Strindberg
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summary
This fine collection of essays offers a wide range of new and original perspectives on Strindberg and his relation to modern and contemporary literature.

Table of Contents

  1. Cover
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  1. Title Page, Copyright
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgments
  2. p. vii
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  1. Introduction: The International Strindberg - Anna Westerståhl Stenport
  2. pp. 3-26
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  1. Stockholm—Berlin—Moscow: Strindberg and Avant-Garde Performance in the 1920s - Eszter Szalczer
  2. pp. 27-48
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  1. Castration Anxiety and Traumatic Encounters with the Real in the Works of August Strindberg and Lars von Trier - Mads Bunch
  2. pp. 49-70
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  1. Reconsidering the Place of Strindberg in Surrealism: André Breton and the Light of the Objective Chance Encounter - Maxime Abolgassemi
  2. pp. 71-88
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  1. Standing at the Bourne of the Modern: Strindberg’s Ecological Subject in By the Open Sea and His Archipelago Paintings - Linda Haverty Rugg
  2. pp. 89-106
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  1. Paris, Laboratory of Modernity: Modernist Experimentation and August Strindberg’s Search for “the Equation” in Paris - Sylvain Briens
  2. pp. 107-126
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  1. Voices and Visions in Fingal’s Cave: Plato and Strindberg
  2. pp. 127-144
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  1. Money Metaphors and Rhetoric of Resource Depletion: Creditors and Late-Nineteenth-Century European Economics
  2. pp. 145-166
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  1. A Nineteenth-Century Long Poem Meets Modernity: Sleepwalking Nights
  2. pp. 167-194
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  1. By the Open Sea—A Decadent Novel? Reconsidering Relationships Between Nietzsche, Strindberg, and Fin-de-Siècle Culture -
  2. pp. 195-214
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  1. “The Spoken Word Is All”—“Ordet det talade är allt”: Translating Strindberg for the International Stage
  2. pp. 215-248
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  1. The Art of Doubt: Form, Genre, History in Miss Julie
  2. pp. 249-276
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  1. Notes on Contributors
  2. pp. 277-279
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