Struggles for Equal Voice
The History of African American Media Democracy
Publication Year: 2012
Published by: State University of New York Press
Title Page, Copyright, Dedication
This volume attempts to fulfill an immense responsibility of resurfacing a part of rich African American history. This is a task too ambitious for one individual to undertake. I could not have finished this book without the support of my family, friends, and colleagues. I am grateful and humbled by their continuing support, kindness, and generosity. ...
As a high school student in Tokyo, Japan, I nearly failed my history class. Approximately ten years later, I was in the final process of finishing up my doctoral dissertation—the base of this book—writing about history. A few years later, I was standing in front of more than one-hundred students at Michigan State University, ...
Introduction: Unveiling the Struggles for Equal Voice
The history of the relationship between African Americans and the cable television industry is complex and intriguing. Although Black Entertainment Television empowered many African Americans through its establishment in January 1980 and its listing on the New York Stock Exchange in 1991 as the first Black-owned corporation, many felt betrayed when its founder, ...
Chapter 1: The Black Image in the White Pathology
Visual culture has been a locus of both reflection and production. It is reflective because it is formed within its social, political, economic, cultural, and other environments. Visual culture showcases both what is and what has been. It also is productive because it has the power to influence our consciousness and even push us to a new direction. ...
Chapter 2: Cable Television: Past and Present
The trend of televisual resistance by whites against Black representation took a more concrete shape with cable television. Decades of erasure, distortion, exclusion, and discrimination in visual culture culminated in the debate on fair representation of African Americans and other minorities on the new medium.1 ...
Chapter 3: The Incubation Period of Cable Television
Although the history of cable television dates back to 1948, the technology did not attract the attention of Boston and Detroit’s city planners and community organizers until the early 1970s. It was only in the late 1960s that early users of cable television even began to explore its potential for social services.1 ...
Chapter 4: Drafting of Democratic Communication Media
The process of drafting a scheme for a democratic communication medium had two major phases: issuing of the RFP and the submission of cable application. Although this section covers a very short period of time—from August 1980 to February 1981 for Boston, and from August 1982 to December 1982 for Detroit ...
Chapter 5: Progress and Struggles in the Process of Franchise Decisions for Media Democracy
Once cable providers turned in their final proposals, the relevant offices and departments of Boston and Detroit closely examined the content of the submitted documents. Each candidate was expected to exceed the minimum requirements described in the RFPs in order to win the franchise. ...
Chapter 6: From Agreement to Production: Period of Struggling
Despite the signing of franchise agreements in both cities, residents did not get a cable system right away. In Boston, the Final License issued on December 15, 1982 gave Cablevision six years to complete the system.1 As for Detroit, the amended version of the franchise agreement signed in December 1985, ...
Conclusion: BET is not the Answer
Popular culture, by definition, is contested terrain. African American popular culture has been even more controversial. From slave songs and narratives to more contemporary hip-hop culture, the history of Black popular culture is that of African American struggles between being marginalized and being mainstream, and between the journey from three-fifths citizenship to full citizenship. ...
Page Count: 336
Publication Year: 2012
OCLC Number: 830945721
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