In this Book

Embracing Arms
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Table of Contents

  1. Cover
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  1. Title Page, Copyright
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  1. Table of Contents
  2. p. vii
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  1. Preface and Acknowledgments
  2. p. ix
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  1. Introduction
  2. pp. 1-26
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  1. I. WORLD WAR II
  2. p. 25
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  1. Film and Television
  2. p. 27
  1. Chapter 1 Invisible Deaths: Polish Cinema’s Representation of Women in World War II
  2. pp. 29-58
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  1. Chapter 2 She Defends His Motherland: The Myth of Mother Russia in Soviet Maternal Melodrama of the 1940s
  2. pp. 59-80
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  1. Chapter 3 Flight without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit’ko’s Wings (1966)
  2. pp. 81-106
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  1. Chapter 4 Gender(ed) Games: Romance, Slapstick, and Ideology in the Polish Television Series Four Tank Men and a Dog1
  2. pp. 107-128
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  1. Literature, Graphics, Song
  2. p. 129
  1. Chapter 5 Rage in the City of Hunger: Body, Talk, and the Politics of Womanliness in Lidia Ginzburg’s Notes from the Siege of Leningrad
  2. pp. 131-152
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  1. Chapter 6 Graphic Womanhood under Fire
  2. pp. 153-178
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  1. Chapter 7 Songs of Women Warriors and Women Who Waited
  2. pp. 179-204
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  1. II. Recent Wars
  2. p. 205
  1. Chapter 8 “Black Widows”: Women as Political Combatants in the Chechen Conflict
  2. pp. 207-232
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  1. Chapter 9 War Rape: (Re)defining Motherhood, Fatherhood, and Nationhood
  2. pp. 233-252
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  1. Chapter 10 Dubravka Ugrešić’s War Museum: Approaching the “Point of Pain”
  2. pp. 253-272
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  1. List of Contributors
  2. pp. 273-274
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  1. Index
  2. pp. 275-294
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  1. Illustrations [Image Plates]
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  1. Back cover
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