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Clint Eastwood (b. 1930) is the only popular American dramatic star to have shaped his own career almost entirely through films of his own producing, frequently under his own direction; no other dramatic star has directed himself so often. He is also one of the most prolific active directors, with thirty-three features to his credit since 1971.

As a star, he is often recalled primarily for two early roles--the "Man with No Name" of three European-made Westerns, and the uncompromising cop "Dirty" Harry Callahan. But on his own as a director, Eastwood has steered a remarkable course. A film industry insider who works through the established Hollywood system and respects its traditions, he remains an outsider by steadfastly refusing to heed cultural and aesthetic trends in film production and film style. His films as director have examined an eclectic variety of themes, ranging from the artist's life to the nature of heroism, while frequently calling into question the ethos of masculinity and his own star image. Yet they have remained accessible to a popular audience worldwide. With two Best Director and two Best Picture Oscars to his credit, Eastwood now ranks among the most highly honored living filmmakers.

These interviews range over the more than four decades of Eastwood's directorial career, with an emphasis on practical filmmaking issues and his philosophy as a filmmaker. Nearly a third are from European sources--several appearing here in English for the first time.



Table of Contents

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  1. Cover
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  1. Contents
  2. pp. v-viii
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  1. Introduction
  2. pp. ix-xxii
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  1. Chronology
  2. pp. xxiii-xxx
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  1. Filmography
  2. p. xxxi
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  1. No Tumbleweed Ties for Clint
  2. pp. 3-6
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  1. Eastwood on Eastwood
  2. pp. 7-19
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  1. Eastwood Direction
  2. pp. 20-39
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  1. Director Clint Eastwood: Attention to Detail and Involvement for the Audience
  2. pp. 40-52
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  1. Eastwood: An Auteur to Reckon With
  2. pp. 53-56
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  1. Cop on a Hot Tightrope
  2. pp. 57-71
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  1. “Whether I Succeed or Fail, I Don’t Want to Owe It to Anyone but Myself”: From Play Misty for Me to Honkytonk Man
  2. pp. 72-92
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  1. Clint Eastwood: The Rolling Stone Interview
  2. pp. 93-105
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  1. Eastwood on Eastwood
  2. pp. 106-111
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  1. Flight of Fancy
  2. pp. 112-118
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  1. Interview with Clint Eastwood
  2. pp. 119-130
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  1. Interview with Clint Eastwood
  2. pp. 131-141
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  1. Any Which Way He Can
  2. pp. 142-155
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  1. America on the Brink of the Void
  2. pp. 156-162
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  1. Q & A with a Western Icon
  2. pp. 163-167
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  1. “Truth, Like Art, Is in the Eyes of the Beholder”: Midnight in the Garden of Good and Evil and The Bridges of Madison County
  2. pp. 168-177
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  1. A Conversation with Clint Eastwood about Mystic River
  2. pp. 178-188
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  1. Mystic River: Eastwood, without Anger or Forgiveness
  2. pp. 189-192
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  1. Staying Power
  2. pp. 193-205
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  1. Eastwood’s Letters from Iwo Jima
  2. pp. 206-218
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  1. The Quiet American
  2. pp. 219-225
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  1. Do You Feel Lucky, Monk?
  2. pp. 226-229
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  1. Clint Eastwood, America’s Director: The Searcher
  2. pp. 230-233
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  1. Eastwood on the Pitch: At Seventy-Nine, Clint Tackles Mandela in Invictus
  2. pp. 234-244
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  1. Interview with Clint Eastwood: First, Believe in Yourself
  2. pp. 245-251
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  1. With J. Edgar, Eastwood Again Flexes His Freedom
  2. pp. 252-256
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  1. For Further Reading
  2. pp. 257-258
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  1. Index
  2. pp. 259-275
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