Cover

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Title Page, Copyright

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Contents

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Acknowledgments

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p. ix

Grateful acknowledgment to publishers of the limited-edition chapbooks, literary journals, and anthologies in which some of these works first appeared: ...

Prologue: The Archive Ballad

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I am a concept

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p. 1

1. If Even Such Miracles Are Rare . . .

Piano wire of the last word

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p. 5

If Even Such Miracles Are Rare

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pp. 6-7

The intelligentsia of Los Angeles

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p. 8

As if still awake

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p. 9

Animals oblivious

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p. 10

The kind of line I'm describing

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pp. 12-13

Being a day

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p. 14

(Taxco: The Hills)

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p. 15

Source or matrix

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p. 16

Newer measure to the ethics

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p. 17

Field of material contentions

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p. 18

2. Full Foreground

Flatlands

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pp. 21-23

Three blind mice

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pp. 25-26

Not a word of my surrounding

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pp. 27-28

Impulse in the great organism of terror

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pp. 29-30

Full foreground and shortcomings

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pp. 32-33

Caught between the last ground

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pp. 34-35

Low in tar and nicotine

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p. 36

An establishment containing such a furnace

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pp. 38-39

It happens when the drift-rebounding

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pp. 40-41

3. Amulet Anatomy

Honeycomb perfection of this form

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pp. 45-46

What it means

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pp. 47-48

A reverence in the order of time

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pp. 49-50

Sun bursting as in water beads

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pp. 51-52

Weather suited

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pp. 53-54

The plain terms this place a conversation

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pp. 56-58

by what authority

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p. 59

Afterlife: Anniversary

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Where on the morning

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p. 63

Notes

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p. 65

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About the Author

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Roberto Tejada is the author of two books of poetry, Mirrors for Gold and Exposition Park. An art historian, his other books include ...