Woke Me Up This Morning
Black Gospel Singers and the Gospel Life
Publication Year: 1997
Published by: University Press of Mississippi
Title Page, Copyright Page
As the Dixie Hummingbirds swung into song at the Newport Folk Festival in 1966, they brought a new experience to many in the large audience—the excitement of seeing an African-American gospel quartet in performance. And while the enthusiastic throng may not have realized...
Music in the Air: An Introduction
Blues. Rock 'n' roll. Memphis. Mississippi. On one level, this is a collection of nouns; two are forms of music, and two are locations in the southern United States. But words can take on powers beyond their meaning, and these four (allowing rock 'n' roll as one) are among the...
1. The Gospel Evangelists
The itinerant musician is a recurring figure in the history of southern African-American folk music. Traveling from town to town with only a few possessions, such singers made a living performing for tips on street corners and at social gatherings. Typically they were blues singers...
2. The Quartets
Quartets occupy a unique place in gospel music. Although they are an essential part of African-American religious music, few are directly affiliated with churches, and much of their singing is done outside the church environment. They are the best-known practitioners of...
3. Women's Voices
"The first time I ever heard a boogie-woogie piano was the first time I ever went to church. That was the Holy Ghost Church in Dallas, Texas" Texas blues guitarist Aaron "T-Bone" Walker told an interviewer in 1955. He didn't say who the pianist was, but blues and gospel historian...
4. On the Air
Radio has played—and still plays—an important role in the gospel music story. Since the 1920s, preachers, choirs, soloists, and quartets have made broadcasts with the dual purpose of spreading the message and promoting "in person" appearances. The development in the 1960s...
5. The Preachers
The African-American church was born as a direct rejection of segregation in established white churches. It had its origins in the late eighteenth century, when some white churches opened their doors to slaves—but restricted them to designated seating, or held separate services for them...
6. Back in Church
The grainy videotape shows an elderly man seated on a plain wooden chair and holding a steel-bodied National resonator guitar, the sort prized by 1930s blues players for their volume and durability. Before he plays it again, the old man has a message for the mainly young...
It was a cool fall Sunday evening when I traveled to Tunica, Mississippi, for the anniversary of the Tunica Harmonizers. I'd heard the program advertised on a gospel radio station, with the added promise of "mystery guests from Chicago." The Pilgrim Jubilees, from Chicago, were somewhere...
Song and Sermon Index
Publication Year: 1997
OCLC Number: 45729647
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