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Smart phones, tablets, Facebook, Twitter, and wireless Internet connections are the latest technologies to have become entrenched in our culture.  Although traditionalists have argued that computer-mediated communication and cyberspace are incongruent with the study of folklore, Trevor J. Blank sees the digital world as fully capable of generating, transmitting, performing, and archiving vernacular culture. Folklore in the Digital Age documents the emergent cultural scenes and expressive folkloric communications made possible by digital “new media” technologies.

New media is changing the ways in which people learn, share, participate, and engage with others as they adopt technologies to complement and supplement traditional means of vernacular expression. But behavioral and structural overlap in many folkloric forms exists between on- and offline, and emerging patterns in digital rhetoric mimic the dynamics of previously documented folkloric forms, invoking familiar social or behavior customs, linguistic inflections, and symbolic gestures.

Folklore in the Digital Age provides insights and perspectives on the myriad ways in which folk culture manifests in the digital age and contributes to our greater understanding of vernacular expression in our ever-changing technological world.
 

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
  2. pp. i-iv
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Brief Word on QR Codes
  2. p. xi
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  1. Introduction: Pattern in the Virtual Folk Culture of Computer-Mediated Communication
  2. pp. 1-24
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  1. 1. How Counterculture Helped Put the “Vernacular” in Vernacular Webs
  2. pp. 25-45
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  1. 2. Netizens, Revolutionaries, and the Inalienable Right to the Internet
  2. pp. 46-59
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  1. 3. Performance 2.0: Observations toward a Theory of the Digital Performance of Folklore
  2. pp. 60-84
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  1. 4. Real Virtuality: Enhancing Locality by Enacting the Small World Theory
  2. pp. 85-97
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  1. 5. Jokes on the Internet: Listing toward Lists
  2. pp. 98-118
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  1. 6. The Jewish Joke Online: Framing and Symbolizing Humor in Analog and Digital Culture
  2. pp. 119-149
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  1. 7. From Oral Tradition to Cyberspace: Tapeworm Diet Rumors and Legends
  2. pp. 150-165
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  1. 8. Love and War and Anime Art: An Ethnographic Look at a Virtual Community of Collectors
  2. pp. 166-211
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  1. 9. Face-to-Face with the Digital Folk: The Ethics of Fieldwork on Facebook
  2. pp. 212-232
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  1. References
  2. pp. 233-255
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  1. About the Contributors
  2. pp. 257-260
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  1. Index
  2. pp. 261-262
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