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That Johann Sebastian Bach is a pivotal figure in the history of Western music is hardly news, and the magnitude of his achievement is so immense that it can be difficult to grasp. In About Bach, fifteen scholars show that Bach's importance extends from choral to orchestral music, from sacred music to musical parodies, and also to his scribes and students, his predecessors and successors. Further, the contributors demonstrate a diversity of musicological approaches, ranging from close studies of Bach's choices of musical form and libretto to wider analyses of the historical and cultural backgrounds that impinged upon his creations and their lasting influence. This volume makes significant contributions to Bach biography, interpretation, pedagogy, and performance.

Contributors are Gregory G. Butler, Jen-Yen Chen, Alexander J. Fisher, Mary Dalton Greer, Robert Hill, Ton Koopman, Daniel R. Melamed, Michael Ochs, Mark Risinger, William H. Scheide, Hans-Joachim Schulze, Douglass Seaton, George B. Stauffer, Andrew Talle, and Kathryn Welter.

Table of Contents

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  1. Cover
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  1. Title Page
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  1. Copyright Page
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  1. Contents
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  1. Preface
  2. pp. ix-x
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  1. Abbreviations
  2. p. xi
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  1. BEFORE BACH
  1. A Master Teacher Revealed: Johann Pachelbel's Deutliche Anweisung
  2. pp. 3-13
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  1. From the House of Aaron to the House of Johann Sebastian: Old Testament Roots for the Bach Family Tree
  2. pp. 15-32
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  1. BACH'S VOCAL MUSIC
  1. Combinatorial Modeling in the Chorus Movement of Cantata 24, Ein ungefarbt Gemute
  2. pp. 35-52
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  1. Choral Unison in J.S. Bach's Vocal Music
  2. pp. 53-60
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  1. You Say Sabachthani and I Say Asabthani: A St. Matthew Passion Puzzle
  2. pp. 61-67
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  1. Sein Segen fliesst daher wie ein Strom, BWV Anh. I 14: A Source for Parodied Arias in the B-Minor Mass?
  2. pp. 69-77
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  1. BACH CIRCLE
  1. Johann Friedrich Schweinitz, "A Disciple of the Famous Herr Bach in Leipzig"
  2. pp. 81-88
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  1. Johann Christian Bach and the Church Symphony
  2. pp. 89-108
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  1. BACH'S INSTRUMENTAL MUSIC
  1. Scribes, Engravers, and Notational Styles: The Final Disposition of Bach's Art of Fugue
  2. pp. 111-123
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  1. Notes on J.S. Bach and Basso Continuo Realization
  2. pp. 125-134
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  1. Music for "Cavaliers et Dames": Bach and the Repertoire of His Collegium Musicum
  2. pp. 135-156
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  1. A Print of Clavierubung I from J.S. Bach's Personal Library
  2. pp. 157-168
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  1. AFTER BACH
  1. Carl Reinecke's Performance of Mozart's Larghetto and the Nineteenth-Century Practice of Quantitative Accentuation
  2. pp. 171-180
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  1. "Grand Miscellaneous Acts": Observations on Oratorio Performance in London after Haydn
  2. pp. 181-190
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  1. Back from B-A-C-H: Schumann's Symphony No. 2 in C Major
  2. pp. 191-206
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  1. Contributors
  2. pp. 207-209
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  1. Index
  2. pp. 211-216
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