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In recent years, popular culture production in East and Southeast Asia has undergone major changes with the emergence of a system that organizes and relocates production, distribution, and consumption of cultural goods on a regional scale. Freed from the constraints associated with autonomous national economies, popular culture has acquired a transnational character and caters to multinational audiences. Using insights drawn from a number of academic disciplines, the authors in this wide-ranging volume consider the implications of a region-wide appropriation of cultural formulas and styles in the production of movies, music, comics, and animation. They also investigate the regional economics of transcultural production, considering cultural imaginaries in the context of intensive regional circulation of cultural goods and images. Where scholarship on popular culture conventionally explores the "meaning" of texts, Popular Culture Co-productions and Collaborations in East and Southeast Asia draws on empirical studies of the culture industries of Japan, Korea, China, the Philippines and Indonesia, and use a regional framework to analyze the consequences of co-production and collaboration.

Table of Contents

  1. Title Page, Copyright
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  1. CONTENTS
  2. pp. v-vi
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  1. LIST OF TABLES AND FIGURES
  2. p. vii
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  1. PREFACE
  2. pp. ix-x
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  1. 1. Introduction: History and Theory in the Study of Cultural Collaboration
  2. pp. 1-25
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  1. Regionalization Processes and Features
  2. p. 27
  1. 2. Popular Culture and Regionalization in East and Southeast Asia
  2. pp. 29-51
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  1. 3. Korean Cinema Industry and Cinema Regionalization in East Asia
  2. pp. 52-67
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  1. 4. Regional Contexts of Cooperation and Collaboration in Hong Kong Cinema
  2. pp. 68-96
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  1. Mechanisms of Co-production and Collaboration
  2. p. 97
  1. 5. Cooking Outside the Box: What Can Rice Cookers Tell Us about Cross-Cultural Collaborations?
  2. pp. 99-114
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  1. 6. Re-nationalizing the Transnational? The Cases of Exiled and Warlords in Hong Kong–China Film Co-production
  2. pp. 115-135
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  1. 7. Transnational K-Pop Machine Searching for “Asian” Model through Crossbreeding?
  2. pp. 136-149
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  1. 8. Niche Globality: Philippine Media Texts to the World
  2. pp. 150-168
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  1. Circumventing Nationality and the State
  2. p. 169
  1. 9. Regionalism and National Dis-integration: Li Ying’s Yasukuni and the Co-creation of East Asia
  2. pp. 171-184
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  1. 10. Master Q, Kung Fu Heroes and the Peranakan Chinese: Asian Pop Cultures in New Order Indonesia
  2. pp. 185-206
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  1. 11. Chinese Subtitle Groups and the Neoliberal Work Ethic
  2. pp. 207-232
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  1. CONTRIBUTORS
  2. pp. 233-236
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  1. BIBLIOGRAPHY
  2. pp. 237-259
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  1. INDEX
  2. pp. 260-276
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Additional Information

ISBN
9789971696252
Related ISBN
9789971696009
MARC Record
OCLC
830023490
Pages
350
Launched on MUSE
2012-12-20
Language
English
Open Access
No
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