In this Book

Art, Nature, and Religion in the Central Andes
summary
Taking a new approach to traditional Andean art that links prehistory with the present, this book illustrates the ongoing legacy of the past in contemporary art and the importance of art not only as a way of expressing religious ideas rooted in nature, but also as a means of resisting discrimination and oppression.

Table of Contents

  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. Introduction
  2. pp. 1-14
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  1. Part I. Themes
  2. pp. 15-16
  1. Chapter 1. Pre-Columbian Andeans
  2. pp. 17-58
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  1. Chapter 2. Andean Thinking
  2. pp. 59-94
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  1. Part II. Variations
  2. pp. 95-96
  1. Chapter 3. The Spanish Colonial Period
  2. pp. 97-129
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  1. Chapter 4. Globalization Today
  2. pp. 130-162
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  1. Part III. Andean Arts Today
  2. pp. 163-164
  1. Chapter 5. The Scissors Dance (La Danza de las Tijeras)
  2. pp. 165-194
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  1. Chapter 6. Home Altars (Retablos)
  2. pp. 195-218
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  1. Chapter 7. Carved Gourds (Mates)
  2. pp. 219-241
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  1. Chapter 8. Ceramics (Cerámica)
  2. pp. 242-262
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  1. Chapter 9. Painted Boards (Tablas de Sarhua)
  2. pp. 263-278
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  1. Chapter 10. Weavings (Textiles)
  2. pp. 279-304
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  1. Chapter 11. Tinware (Hojalatería) and Huamanga Stone Carving (Piedra de Huamanga)
  2. pp. 305-322
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  1. Conclusion
  2. pp. 323-329
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  1. Bibliography
  2. pp. 330-342
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  1. Index
  2. pp. 343-356
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