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People known to Bernard Shaw had every reason to fear becoming recognizable characters in his plays. He turned Beatrice Webb into a witchlike virago in The Millionairess, Winston Churchill into an aspiring, blowhard politician in John Bull's Other Island, and Lawrence of Arabia into the eccentric army private Napoleon Alexander Trotsky Meek in Too True to Be Good. However, as eminent Shaw scholar Stanley Weintraub reveals in this exquisite collection, Shaw's relationships to real or imagined personalities could be both curiously unexpected and deliciously complex.

Featuring figures as varied as Julius Caesar, Zulu king Cetewayo, Noel Coward, Edward Elgar, and Benjamin Disraeli, this volume brilliantly demonstrates how Shaw put something of himself into all of his "people." The result is a book that is consistently revealing, intriguing, and entertaining.

Table of Contents

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  1. Cover
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  1. Title Page
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  1. Copyright
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  1. Dedication
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  1. Funding Information
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  1. Contents
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  1. Foreword
  2. pp. xi-xii
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  1. Borrowing People: A Preface
  2. pp. xiii-xv
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  1. 1. Shaw’s Jesus and Judas: Passion without “Passion”
  2. pp. 1-16
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  1. 2. A Shavian Caesar
  2. pp. 17-28
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  1. 3. Schiller’s Die Räuber and Shaw’s Don Juan in Hell
  2. pp. 29-38
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  1. 4. Shaw’s “Secretary for America” and General John Burgoyne
  2. pp. 39-50
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  1. 5. Cetewayo: Shaw’s Hero from Africa
  2. pp. 51-64
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  1. 6. Disraeli in Shaw
  2. pp. 65-78
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  1. 7. Shaw’s Musician: Edward Elgar
  2. pp. 79-98
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  1. 8. Shaw’s Goddess: Lady Colin Campbell
  2. pp. 99-117
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  1. 9. Shaw’s Sculptress: Kathleen Scott
  2. pp. 118-138
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  1. 10. Eugene O’Neill: The Shavian Dimension
  2. pp. 139-160
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  1. 11. Noël Coward and the Avuncular Shaw
  2. pp. 161-174
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  1. 12. King Magnus and King Minus: A Play and a Playlet
  2. pp. 175-193
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  1. 13. Who’s Afraid of Bernard Shaw?: Virginia Woolf and GBS
  2. pp. 194-217
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  1. Index
  2. pp. 219-223
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  1. About the Author
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  1. Series List
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