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Like the mythic Persephone, these poems move between worlds of wild light and onyx darkness. Abducted by Hades, Persephone was kept captive in the underworld until her mother, Demeter, consumed with rage and sorrow, refused to let anything live or bloom. Grudgingly, Hades released her but only after she tasted the pomegranate he offered, a fruit that kept her bound to him for three months of the year forever. These poems move between such ecstatic glimpses of love, sex, family and that underworld of pain, loss and dark coldness between parents and children, siblings, lovers and strangers. The blues and despair in her poems, immediate and powerful as the worlds of any woman who moves from darkness and cold into the green world of rebirth, light and flowers, highlights “the combination of eros, ebullience and triste, or sadness,” a Lifshin trademark.

Table of Contents

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  1. Frontmatter
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  1. Title Page, Copyright, Acknowledgments
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  1. Contents
  2. pp. 9-13
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  1. Introduction
  2. p. 17
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  1. Part 1. Anonymously Yours: Autobiography
  2. pp. 19-20
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  1. On the Shortest Day of the Year
  2. p. 21
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  1. I Have Lost the Sound
  2. p. 22
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  1. Sleeping with Lorca
  2. p. 23
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  1. You Wonder a Woman Who Doesn’t Seem Quite Like Me
  2. pp. 24-25
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  1. Being Jewish in a Small Town
  2. pp. 26-27
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  1. Christmas Tree
  2. p. 28
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  1. The Photographs with My Hair Up
  2. p. 29
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  1. Not Writing for Days
  2. pp. 30-31
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  1. When I See Vermeer’s “The Woman Holding A Balance”
  2. pp. 32-33
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  1. Ballet Du Maurais
  2. pp. 34-35
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  1. The Lost Photograph
  2. pp. 36-37
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  1. Lips
  2. pp. 38-39
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  1. Sometimes when I Take the Escalator Deep Underground
  2. p. 40
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  1. Part 2. Lovers and Leavers
  2. pp. 41-42
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  1. Sometimes It Was Your Gone Leg
  2. p. 43
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  1. Trying to Write the Blue Out of Me
  2. p. 44
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  1. Though I Didn’t See It
  2. p. 45
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  1. In the Dream of Having Too Much I Have to Do
  2. p. 46
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  1. Cape Cod, Still High on Having the Biopsy Negative
  2. p. 47
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  1. The Man Who Mostly Lip Reads
  2. pp. 48-49
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  1. The Affair
  2. pp. 50-51
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  1. If You’re a Risk Taker, Moody, Sadistic
  2. pp. 52-53
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  1. When I Was No Longer My Leather Jacket
  2. pp. 54-55
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  1. Park
  2. pp. 56-58
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  1. Part 3. Deserted Rooms: Family
  2. pp. 59-60
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  1. Elephants, The Dark Shiny Bed Smaller than I Remember
  2. p. 61
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  1. Vacation
  2. pp. 62-63
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  1. My Sister’s Diaries
  2. p. 64
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  1. The Other Fathers
  2. p. 65
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  1. August 24, That Other Summer I
  2. pp. 66-67
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  1. Around the Table
  2. pp. 68-69
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  1. The Old Dog
  2. pp. 70-72
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  1. Part 4. Bay of Love and Sorrow: Mother Poems
  2. pp. 73-74
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  1. My Mother Hated the Song of the Whales
  2. p. 75
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  1. Another September Letter
  2. pp. 76-78
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  1. Solitaire
  2. p. 79
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  1. Asparagus
  2. pp. 80-81
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  1. Locking the Screen Door
  2. pp. 82-83
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  1. In the Middle Drawer
  2. pp. 84-85
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  1. The Gold Dress
  2. pp. 86-87
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  1. Blue Couch
  2. pp. 88-89
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  1. Spoon Night, Crystal Night
  2. pp. 90-91
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  1. Another Ratso Rizzo Dream
  2. p. 92
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  1. My Mother’s White Radio
  2. p. 93
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  1. My Mother and the Oranges
  2. pp. 94-95
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  1. Wintergreen
  2. pp. 96-97
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  1. My Mother’s Autograph Book
  2. p. 98
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  1. Washing Our Hair in Lake Champlain
  2. p. 99
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  1. Julys in the Rose Light Room
  2. pp. 100-102
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  1. Part 5. Awaiting Alma
  2. pp. 103-104
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  1. Alma Karmina
  2. p. 105
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  1. Alma, Her Eyes Shiny Coal
  2. pp. 106-107
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  1. They Are On Their Way
  2. p. 108
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  1. Part 6. Life Leaves Marks: Other Voices
  2. pp. 109-110
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  1. Another Woman Obsessed with Maps
  2. p. 111
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  1. The Woman in Love with Maps
  2. pp. 112-113
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  1. One More Woman in Love with Old Maps
  2. p. 114
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  1. The Ice Maiden Mummy’s 78TH SOS
  2. p. 115
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  1. The Unabomber Dreams of the Ice Maiden Mummy, A Woman in a Flesh Dress Unlike Any Other
  2. pp. 116-117
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  1. The Ice Maiden Mummy’s 234TH SOS
  2. p. 118
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  1. When I Bury My Face in the Crimson Velvet
  2. pp. 119-120
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  1. Part 7. A House Built on Water
  2. pp. 121-122
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  1. Behind Colonial Windows
  2. pp. 123-126
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  1. Croton-on-Hudson
  2. pp. 127-134
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  1. Part 8. Mad Girls, Strangers, Women with Wings and Without Wings
  2. pp. 135-136
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  1. Even Before the Pond Freezes Over
  2. pp. 137-139
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  1. She Comes to the River When I Feed the Geese
  2. pp. 140-141
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  1. For Months She Came at Night, a Strange Presence
  2. pp. 142-143
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  1. The Dog Food Heiress
  2. pp. 144-145
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  1. Barbie Remembers Another Life
  2. p. 146
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  1. The Mad Girl Remembers How the Record Stuck in Juarez
  2. pp. 147-148
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  1. The Mad Girl Feels the Dark Spread Under the Surface
  2. pp. 149-150
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  1. The Mad Girl Watches Deer Crossing
  2. p. 151
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  1. The Mad Girl Wades Thru January
  2. p. 152
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  1. The Mad Girl’s Pipes Burst and Split
  2. p. 153
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  1. The Mad Girl Thinks She Was in Another Life with the Geese
  2. p. 154
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  1. The Mad Girl Makes a Mantra of Something She’s Heard in a Most Unlikely Place
  2. p. 155
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  1. When the Mad Girl Feeds the Ducks and Geese Before It’s Light
  2. pp. 156-158
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  1. Part 9. On the Other Side of the Bridge: Poems of Place
  2. pp. 159-160
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  1. Midwest
  2. p. 161
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  1. Late November
  2. p. 162
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  1. In the One Space That Wasn’t Frozen
  2. p. 163
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  1. September Early
  2. p. 164
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  1. September, Early
  2. p. 165
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  1. Inline Skaters
  2. p. 166
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  1. The Seine from the Window, Notre Dame
  2. p. 167
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  1. Steepletop
  2. p. 168
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  1. On the Afternoon the Geese Come
  2. p. 169
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  1. After the Origami of Ice
  2. p. 170
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  1. Part 10. Flame Birds
  2. pp. 171-172
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  1. Someone Says They Looked Like Cartwheeling Birds
  2. p. 173
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  1. Someone Goes Over Old Love Letter
  2. pp. 174-175
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  1. After September 11
  2. p. 176
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  1. After September 11
  2. p. 177
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  1. September 24, 2001
  2. p. 178
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  1. October 18, 2001
  2. p. 179
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  1. In the One Tree of Singing Birds
  2. p. 180
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  1. October 30, 2001
  2. pp. 181-182
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  1. About the Author
  2. pp. 183-184
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