Title Page, Copyright, Acknowledgments

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Contents

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pp. 7-12

Part 1. From Translucent Gears {1982}

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pp. 13-14

A Song for the Piano Player

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pp. 15-20

The Audition

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pp. 21-22

Tall Blossom

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pp. 23-24

Desert

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pp. 25-26

Belmont ’78

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pp. 27-34

Part 2. From The Fields (1989)

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pp. 35-36

The Center

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pp. 37-37

The Word

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pp. 38-38

Each’s Own

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pp. 39-39

Postmodern

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pp. 40-40

Wild Cats and Weeds

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pp. 41-41

The Larger Time

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pp. 42-42

I, too, Dislike it . . .

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pp. 43-43

Genesis of an Atheist

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pp. 44-44

Pearldiver’s Palimpsest

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pp. 45-45

The Hopeful Horse

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pp. 46-46

First Things

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pp. 47-47

Poetry and Real Estate at Cody’s Cafe

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pp. 48-49

The Fields

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pp. 50-51

Massing

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pp. 52-53

Turnover

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pp. 54-55

Outside Eli’s

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pp. 56-56

Part 3. Dealing the Faces (1989, unpublished)

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pp. 57-58

Dealing the Faces

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pp. 59-84

Part 4. From Totem Pole (1996)

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pp. 85-86

For Poetry

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pp. 87-88

Nemo

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pp. 89-89

Water

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pp. 90-91

Owl

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pp. 92-99

Music

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pp. 100-101

Poetizing at the Med

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pp. 102-102

George Hackett Simpson and the Three Sad Cigarettes

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pp. 103-104

From the Inside Out

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pp. 105-106

The Golden Gate

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pp. 107-108

Personified

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pp. 109-109

Zealots

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pp. 110-111

The Old Neighborhood

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pp. 112-113

Dream Body

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pp. 114-114

Five Questions for the Postmodern Poet

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pp. 115-115

So to Speak

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pp. 116-117

Totem Pole

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pp. 118-118

Mandala

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pp. 119-119

Drift

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pp. 120-120

Steering the Train

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pp. 121-122

1650 Broadway

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pp. 123-130

Part 5. From Doubleness (2000)

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pp. 131-132

Phenomenology

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pp. 133-133

The Crows

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pp. 134-134

Once Again

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pp. 135-135

Rosencrantz and Guildenstern

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pp. 136-136

The Audience

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pp. 137-137

Dream of the Hand

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pp. 138-140

Doubleness

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pp. 141-142

Subway

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pp. 143-143

Martin and Osa Johnson’s Africa

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pp. 144-145

Different

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pp. 146-146

The Gorilla Woman

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pp. 147-148

Heaven

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pp. 149-150

Near Santa Fe

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pp. 151-155

The Page

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pp. 156-157

Perfect Stealth

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pp. 158-158

Door

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pp. 159-161

The Horses

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pp. 162-177

Stepping Over the Roofpole

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pp. 178-178

Inklings

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pp. 179-179

Scrying Soul

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pp. 180-181

The Test

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pp. 182-182

Dragonscape

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pp. 183-183

Coming Back

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pp. 184-189

Crying

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pp. 190-190

Flying

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pp. 191-192

Part 6. New Poems

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pp. 193-194

Lenox Hill Hospital

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pp. 195-195

Tantrum

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pp. 196-196

1954

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pp. 197-197

Dog’s Eye

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pp. 198-199

Moving

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pp. 200-202

Paradigm

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pp. 203-205

Eternity

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pp. 206-206

Hub

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pp. 207-207

Godfighter

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pp. 208-211

Helene

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pp. 212-212

Întortocheat

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pp. 213-213

Dementia

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pp. 214-214

What I Said

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pp. 215-216

Childhood

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pp. 217-218

Pillow

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pp. 219-219

Elf Power

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pp. 220-221

The Breast

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pp. 222-222

Gum Wrappers

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pp. 223-225

Tony

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pp. 226-228

Acid

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pp. 229-229

Acid

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pp. 230-230

Working in Films

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pp. 231-231

Love Star

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pp. 232-232

The Ache

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pp. 233-233

Sphinx

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pp. 234-234

Wizard

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pp. 235-237

Gleam

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pp. 238-238

Meat

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pp. 239-240

Camp Everett: Field Trip to a Dairy

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pp. 241-241

Fire

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pp. 242-243

Storing the Day

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pp. 244-246

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About the Author

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Richard Silberg is a poet, critic, translator, and associate editor of Poetry Flash. His poetry book Deconstruction of the Blues received the PEN Oakland-Josephine Miles Literary Award 2006 and was nominated for a Northern California Book Award. ...