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Conventional wisdom holds that Hemingway's Key West years were among his least productive, and many are dismissive of the works he produced during that time. In this collection, several leading Hemingway scholars focus on his overlooked short stories and essays, especially those written for Esquire from 1933 to 1936. They demonstrate how the island inspired some of his most vivid work and discuss how the "Hemingway industry" continues to endure.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright, Dedication
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  1. Contents
  2. pp. vii-ix
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  1. Illustrations
  2. pp. xi-xii
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  1. Acknowledgments
  2. pp. xiii-xiv
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  1. Abbreviations
  2. pp. xv-xvi
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  1. Hemingway Chronology: The Key West Years
  2. p. xvii
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  1. Introduction: Hemingway and Key West Literature
  2. pp. 1-22
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  1. I. Hemingway in the Keys
  2. p. 23
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  1. 1. A Key West Girl
  2. pp. 25-27
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  1. 2. 907 Whitehead Street
  2. pp. 28-43
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  1. 3. Only in Key West: Hemingway’s Fortunate Isle
  2. pp. 44-58
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  1. 4. The End of Some Things: Hemingway’s Decade of Loss
  2. pp. 59-76
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  1. 5. Beleaguered Modernists: Hemingway, Stevens, and the Left
  2. pp. 77-90
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  1. 6. Hemingway, the Left, and Key West
  2. pp. 91-104
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  1. II. Revisionary Readings of To Have and Have Not
  2. p. 105
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  1. 7. Harry and the Pirates: The Romance and Reality of Piracy in Hemingway’s To Have and Have Not
  2. pp. 107-128
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  1. 8. Tropical Iceberg: Cuban Turmoil in the 1930s and Hemingway’s To Have and Have Not
  2. pp. 129-142
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  1. 9. The Anita Logs and To Have and Have Not: The Gulf Stream as Transcribed Experience
  2. pp. 143-157
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  1. 10. “The Poor Are Different from You and Me”: Masculinity and Class in To Have and Have Not
  2. pp. 158-171
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  1. 11. Hemingway, Faulkner, and Hawks: The Nexus of Creativity that Generated the Film To Have and Have Not
  2. pp. 172-186
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  1. III. Tourism, Celebrity, Natural Disaster: Hemingway’s Neglected Florida Fiction and Essays
  2. p. 187
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  1. 12. Reexamining the Origins of “After the Storm”
  2. pp. 189-205
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  1. 13. Why Esquire?: The Multiple Voices of Hemingway’s Complex Public Persona
  2. pp. 206-219
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  1. 14. Letters and Literary Tourism: Hemingway as Your Key West Correspondent in “The Sights of Whitehead Street”
  2. pp. 220-240
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  1. 15. Hemingway’s Key West Band of Brothers: The World War I Veterans in “Who Murdered the Vets?” and To Have and Have Not
  2. pp. 241-266
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  1. 16. The Nice, the Strange, and the Wicked: Physical and Moral Landscapes in “The Strange Country”
  2. pp. 267-282
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  1. IV: Destination: Hemingway
  2. p. 283
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  1. 17. Key West as Carnival: Hemingway and the Commodification of Celebrity
  2. pp. 285-298
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  1. Works Cited
  2. pp. 299-310
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  1. Contributors
  2. pp. 311-316
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  1. Index
  2. pp. 317-325
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