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summary

African identities have been written and rewritten in both British and African literature for decades. These revisions have opened up new formulations of what it really means to be British or African.

By comparing texts by authors from African and British backgrounds across a wide variety of political orientations, Simon Lewis analyzes the deeper relationships between colonizer and colonized. He brings issues of race, gender, class, and sexuality into the analysis, providing new ways for cultural scholars to think about how empire and colony have impacted one another from the late eighteenth century through the decades following World War II.

In his comparisons, Lewis focuses on commonalities rather than differences. By examining the work of writers including Chinua Achebe, Wole Soyinka, T. S. Eliot, Abdulrazak Gurnah, Zoe Wicomb, Yvette Christianse, and Chris van Wyk, he demonstrates how Britain’s former African colonies influence British culture just as much as African culture was influenced by British colonization.

Lewis brings a uniquely informed perspective to the topic, having lived in South Africa, Tanzania, and Great Britain, and having taught African literature for over a decade. The book demonstrates his expert knowledge of local cultural history from 1945 to the present, in both Africa and Britain.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Preface and Acknowledgments
  2. pp. vii-ix
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  1. Introduction
  2. pp. 1-21
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  1. Part I. Postcolonial Geographies: The Spatial Shuttling of Indigenes and Immigrants
  1. 1. From Igboland to the East End: Recasting African Identity from Olaudah Equiano to Buchi Emecheta
  2. pp. 25-48
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  1. 2. “The House I Live in . . . a Language which Barks and Scorns at Me behind Every Corner”
  2. pp. 49-72
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  1. Part II. Colonial Histories: Class, Gender, Sexuality, and Racial Violence in Anglo-African Writing
  1. 3. The Silence of the Askaris: William Boyd’s An Ice-Cream War and the European History of the First World War in East Africa
  2. pp. 75-90
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  1. 4. Raids on the Inarticulate: Alan Hollinghurst’s The Swimming-Pool Library and the Closets of Imperial and Postimperial British History
  2. pp. 91-108
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  1. 5. Sacrifice, Ritual, and Canonical Violence in the British/African Drama of T. S. Eliot, Caryl Churchill, and Wole Soyinka
  2. pp. 109-123
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  1. Part III. Mayibuye iAfrika: Reconstituting African Nationalism in the New Transnational South
  1. 6. Embodying Black Ways of Being in the World in the Spatialized Historiography of Postapartheid Literature
  2. pp. 127-158
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  1. 7. Shades of Feminist Nationalism in Recent Zimbabwean and South African Fiction
  2. pp. 159-180
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  1. Notes
  2. pp. 181-234
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  1. Works Cited
  2. pp. 235-252
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  1. Index
  2. pp. 253-257
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