In this Book

Wilfrid Laurier University Press

Table of Contents

  1. Cover
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  1. Contents
  2. pp. v-vi
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  1. List of Illustrations
  2. p. vii
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  1. Acknowledgements
  2. p. ix
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  1. 1 Cinema of Dissent? Confronting Social, Economic, and Political Change in German-Language Cinema
  2. pp. 1-21
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  1. CHALLENGING VIEWING HABITS
  1. 2 The Counter-Cinema of the Berlin School
  2. pp. 25-42
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  1. 3 The Triumph of Hyperreality: A Baudrillardian Reading of Michael Haneke’s Cinematic Oeuvre
  2. pp. 43-58
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  1. 4 Subversions of the Medical Gaze: Disability and Media Parody in Christoph Schlingensief’s Freakstars 3000
  2. pp. 59-75
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  1. REASSESSING AND CONSUMING HISTORY
  1. 5 Literary Discourse and Cinematic Narrative: Scripting Affect in Das Leben der Anderen
  2. pp. 79-95
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  1. 6 Heimat 3: Edgar Reitz’s Time Machine
  2. pp. 97-114
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  1. 7 Troubled Parents, Angry Children: The Difficult Legacy of 1968 in Contemporary German-Language Film
  2. pp. 115-132
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  1. 8 Creative Chaos as Political Strategy in Recent German-Language Cinema
  2. pp. 133-154
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  1. 9 “Looking for an Old Man with a Black Moustache”: Hitler, Humour, Fake, and Forgery in Schtonk!
  2. pp. 155-171
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  1. 10 Haha Hitler! Coming to Terms with Dani Levy
  2. pp. 173-188
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  1. QUESTIONING COLLECTIVE IDENTITIES
  1. 11 German Fascination for Jews in Oliver Hirschbiegel’s Ein ganz gewöhnlicher Jude
  2. pp. 191-206
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  1. 12 Border, Bridge, or Barrier? Images of German–Polish Borderlands in German Cinema of the 2000s
  2. pp. 207-224
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  1. 13 The Transnational Deutschkei in Yilmaz Arslan’s Brudermord
  2. pp. 225-243
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  1. 14 Diasporic Queers: Reading for the Intersections of Alterities in Recent German Cinema
  2. pp. 245-264
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  1. AN INSIDER’S VIEW
  1. 15 The Construction of Reality: Aspects of Austrian Cinema between Fiction and Documentary
  2. pp. 267-281
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  1. Filmography
  2. pp. 283-286
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  1. Notes on Contributors
  2. pp. 287-289
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  1. Index
  2. pp. 291-302
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