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Volker Schlöndorff’s Cinema: Adaptation, Politics and the “Movie-Appropriate”examines the work of major postwar Germandirector Volker Schlöndorff in historical, economic, and artistic contexts. . In spite of Schlöndorff’s successes with films like The Lost Honor ofKatharina Blum and The Tin Drum, as well as his acclaimed work in the U.S. with Death of a Salesman, Gathering of Old Men and The Handmaid’s Tale, this is the first in-depthcritical study of the filmmaker’s career.

Table of Contents

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  1. Cover
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  1. Book Title
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  1. Copyright
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  1. Contents
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  1. List of Illustrations
  2. pp. vii-viii
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  1. Acknowledgments
  2. pp. ix-x
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  1. 1. Introduction: The Historical Importance of Schlöndorff
  2. pp. 1-10
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  1. 2. Schlöndorff and His Sources
  2. pp. 11-22
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  1. Part One: The Early Schlöndorff: Suppression, Pop, and Protest
  1. 3. Young Törless
  2. pp. 25-39
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  1. 4. A Degree of Murder and “An Uneasy Moment”
  2. pp. 40-47
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  1. 5. Michael Kohlhaas
  2. pp. 48-60
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  1. Part Two: Brechtian and Profeminist Schlöndorff
  1. 6. “Amphibious” Movies and Formal Experiments
  2. pp. 63-77
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  1. 7. Baal
  2. pp. 78-87
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  1. 8. The Sudden Wealth of the Poor People of Kombach
  2. pp. 88-99
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  1. 9. The Morals of Ruth Halbfass and Overnight Stay in Tyrol
  2. pp. 100-111
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  1. 10. A Free Woman
  2. pp. 112-120
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  1. 11. Georgina’s Reasons
  2. pp. 121-127
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  1. 12. The Lost Honor of Katharina Blum
  2. pp. 128-143
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  1. 13. Coup de Grâce
  2. pp. 144-154
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  1. Part Three: The International Schlöndorff
  1. 14. A German Consciousness for an International Audience
  2. pp. 157-163
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  1. 15. The Tin Drum
  2. pp. 164-182
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  1. 16. Just for Fun, Just for PlayKaleidoscope Valeska Gert, The Candidate, and War and Peace
  2. pp. 183-193
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  1. 17. Circle of Deceit
  2. pp. 194-205
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  1. 18. Swann in Love
  2. pp. 206-215
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  1. Part Four: The American Schlöndorff
  1. 19. A German Filmmaker in the United States
  2. pp. 219-222
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  1. 20. Death of a Salesman
  2. pp. 223-233
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  1. 21. A Gathering of Old Men
  2. pp. 234-246
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  1. 22. The Handmaid’s Tale
  2. pp. 247-261
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  1. Part Five: The Post-Wall Schlöndorff
  1. 23. A Filmmaker for the European Community
  2. pp. 265-274
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  1. 24. Voyager
  2. pp. 275-288
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  1. 25. The Ogre
  2. pp. 289-302
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  1. 26. Billy, How Did You Do It? and Palmetto
  2. pp. 303-308
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  1. 27. The Legend of Rita and “The Perfect Soldier”
  2. pp. 309-318
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  1. 28. Conclusion
  2. pp. 319-325
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  1. Filmography
  2. pp. 329-333
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  1. Appendix: U.S. Film, DVD, and Video Sources
  2. pp. 334-336
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  1. Notes
  2. pp. 337-339
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  1. Works Cited and Consulted
  2. pp. 340-356
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  1. Index
  2. pp. 357-369
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  1. Author Biographies
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  1. Back Cover
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