In this Book

buy this book Buy This Book in Print
summary

In Backstage in the Novel, Francesca Saggini traces the unique interplay between fiction and theater in the eighteenth century through an examination of the work of the English novelist, diarist, and playwright Frances Burney. Moving beyond the basic identification of affinities between the genres, Saggini establishes a literary-cultural context for Burney's work, considering the relation between drama, a long-standing tradition, and the still-emergent form of the novel.

Through close semiotic analysis, intertextual comparison, and cultural contextualization, Saggini highlights the extensive metatextual discourse in Burney's novels, allowing the theater within the novels to surface. Saggini’s comparative analysis addresses, among other elements, textual structures, plots, characters, narrative discourse, and reading practices. The author explores the theatrical and spectacular elements that made the eighteenth-century novel a hybrid genre infused with dramatic conventions. She analyzes such conventions in light of contemporary theories of reception and of the role of the reader that underpinned eighteenth-century cultural consumption. In doing so, Saggini contextualizes the typical reader-spectator of Burney’s day, one who kept abreast of the latest publications and was able to move effortlessly between "high" (sentimental, dramatic) and "low" (grotesque, comedic) cultural forms that intersected on the stage.

Backstage in the Novel aims to restore to Burney's entire literary corpus the dimensionality that characterized it originally. It is a vivid, close-up view of a writer who operated in a society saturated by theater and spectacle and who rendered that dramatic text into narrative. More than a study of Burney or an overview of eighteenth-century literature and theater, this book gives immediacy to an understanding of the broad forces informing, and channeled through, Burney's life and work.

Table of Contents

  1. Cover
  2. restricted access Download |
  1. Title Page
  2. restricted access Download |
  1. Copyright Page
  2. restricted access Download |
  1. Dedication Page
  2. restricted access Download |
  1. Table of Contents
  2. restricted access Download |
  1. Acknowledgments
  2. pp. xi-xiii
  3. restricted access Download |
  1. List of Abbreviations
  2. p. xv
  3. restricted access Download |
  1. Introduction: A Wide Angle on the Muses
  2. pp. 1-11
  3. restricted access Download |
  1. One: In the Beginning
  2. pp. 13-47
  3. restricted access Download |
  1. Two: “In the Novel way, there is no Danger”: Transmodal Adaptations and Transtextuality in Evelina
  2. pp. 48-89
  3. restricted access Download |
  1. Three: Caliban’s Mirror: The Witlings
  2. pp. 90-132
  3. restricted access Download |
  1. Four: The Theater and the City: Cecilia
  2. pp. 133-190
  3. restricted access Download |
  1. Five: Texts, Bodies, Performance: Staging Madness in Cecilia and the Wanderer
  2. pp. 191-222
  3. restricted access Download |
  1. Appendix: An Index to Frances Burney’s Theatralia, 1768–1804
  2. pp. 223-243
  3. restricted access Download |
  1. Notes
  2. pp. 245-284
  3. restricted access Download |
  1. Bibliography
  2. pp. 285-300
  3. restricted access Download |
  1. Index
  2. pp. 301-315
  3. restricted access Download |

Additional Information

ISBN
9780813932644
Related ISBN
9780813932545
MARC Record
OCLC
796999193
Pages
336
Launched on MUSE
2012-09-21
Language
English
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.