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Roll Away the Reel World traces Joyce’s involvement in early modern cinema, his thematic and formal borrowing from this genre, and the impact of his writings on later avant-garde and mainstream cinema ranging from Godard to Rossellini to Scorsese. Written by an international group of leading Joyce and film studies scholars, the first section of the book provides a revealing account of the writer’s central involvement in 1909-10 in setting up the Volta cinema, the first specifically-designated cinematic space opened in Dublin.

Table of Contents

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  1. Cover
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  1. Title Page, Copyright Page
  2. pp. iii-iv
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  1. Contents
  2. pp. v-vi
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  1. Acknowledgements
  2. pp. vii-viii
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  1. Notes on Contributors
  2. pp. ix-xi
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  1. Abbreviations
  2. p. xiii
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  1. Introduction: From the Real to the Reel and Back: Explorations into Joyce and Cinema
  2. pp. 1-11
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  1. Part One
  1. 1. James Joyce and the Volta Programme
  2. pp. 15-27
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  1. 2. Dedalus Among the Film Folk
  2. pp. 28-40
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  1. Part Two
  1. 3. Joyce, Early Cinema and the Erotics of Everyday Life
  2. pp. 43-56
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  1. 4. The Ghost Walks
  2. pp. 57-68
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  1. 5. Mirages in the Lampglow
  2. pp. 69-85
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  1. 6. Futurist Music Hall and Cinema
  2. pp. 86-102
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  1. 7. Circe’s Costume Changes
  2. pp. 103-121
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  1. 8. ‘See Ourselves as Others See Us’
  2. pp. 122-136
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  1. Part Three
  1. 9. JJ/JLG
  2. pp. 139-148
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  1. 10. Tracing Joyce
  2. pp. 149-157
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  1. 11. Odysseys of Sound and Image
  2. pp. 158-173
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  1. 12. James Joyce, Subliminal Screenwriter?
  2. pp. 174-185
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  1. Appendix Volta Filmography
  2. pp. 187-204
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  1. Notes and References
  2. pp. 205-228
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  1. Bibliography
  2. pp. 229-239
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  1. Index
  2. pp. 241-248
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