Cover

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pp. -1

Title Page, Copyright

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Contents

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Acknowledgments

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p. ix

I thank my colleague Mark West at the University of North Carolina– Charlotte for urging me to assemble this, my third anthology of essays on the connections between Romanticism and children’s literature. The first two books are...

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Introduction

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pp. xi-xxv

As you watch Sam Mendes’s 2009 sleeper hit film Away We Go, the Romantic poets, children’s literature, and childhood studies are not likely to be the first source connections that you make. Burt and Verona (John Krasinski and Maya Rudolph), a thirty-something couple with a baby on the way,...

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Missing But Presumed Alive: Lost Children of Lost Parents in Two Major Romantic Poems, “Michael” and “Christabel”

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pp. 1-19

William Wordsworth’s “Ode: Intimations of Immortality from Recollections of Early Childhood,” the Ur-text behind so much “classical” children’s literature—and perhaps too much children’s literature criticism— casts long, dark shadows in which stalk the monsters that always devour childhood innocence, simplicity, and spirituality. True, Wordsworth...

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Mary Wollstonecraft’s Childish Resentment: The Angry Girl, the Wrongs and the Rights of Woman

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pp. 20-39

Literary scholars of Romantic childhood are likely to be more familiar with the second of the two passages above, from William Wordsworth’s “We Are Seven.” In the poem, an adult I-narrator struggles fruitlessly to convince a “little Maid” of the stark reality that if two of her originally...

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That This Here Box Be in the Natur of a Trap: Maria Edgeworth’s Pedagogical Gardens, Ireland, and the Education of the Poor

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pp. 40-55

The breakfast conversation of young Rosamond and her two brothers, Orlando and Godfrey, in this typically Edgeworthian educational setting— where the whole house is a site of learning through experience and inquiry (Narain 58)—sounds like either an animal rights debate gone awry, a grisly B-grade sci-fi movie, or, given that the prompt for this discourse is a rabbit...

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Financial Investments vs. Moral Principles: Charlotte Smith’s Children’s Books and Slavery

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pp. 56-71

Charlotte Smith’s remarkably productive twenty-three-year writing career coincided with the most intense decades of British Parliamentary debate about the slave trade.1 Smith’s Elegiac Sonnets (1784) appeared the year after a Quaker group presented the first abolitionist petition to British Parliament (1783); her volume Beachy Head and Other Poems and her sixth children’s...

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The Innocent Child in the House of History: Storytelling and the Sensibility of Loss in Molesworth’s The Tapestry Room

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pp. 72-88

Mary Louisa Molesworth’s two best-known children’s novels, The Cuckoo Clock and The Tapestry Room, appeared in print within two years of each other and bear striking similarities: both depict innocent children who come to inhabit vast and ancient houses that seem burdened by the weight of their own history, and both depict children who suffer from a paralyzing ennui...

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Oversleeping Oneself: Elizabeth Gaskell’s Wake-Up Call in Wives and Daughters

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pp. 89-104

Wives and Daughters begins with a little girl waking up to the “old rigmarole of childhood,” a time when “unseen power[s]” rule the circumscribed world she lives in. It is a bewildering world full of danger for the daughters who wake up in it. Many do not wake up and are doomed to passivity, hypochondria, listlessness, ignorance, and tedium. In the terms of...

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The Perils of Reading: Children’s Missionary Magazines and the Making of Victorian Imperialist Subjectivity

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pp. 105-127

In December 1849 the Ragged School Union Magazine reprinted a poem from the Ladies Needlework Penny Magazine written by one Mrs. E. S. Craven Green. Mrs. Green’s poem, “The Claims of the Needy,” will have a familiar ring in the context of middle-class “condition of England” poems of the decade. Mrs. Green exhorted Christian mothers to acts of charity in language that...

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The End Was Not Ignoble? Bird-Nesting between Cruelty, Manliness, and Science Education in British Children’s Periodicals, 1850–1900

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pp. 128-150

At first sight, the topic of “bird-nesting”—a term that can refer to the search for birds’ nests, the removal of eggs or young birds from a nest, or the taking of a whole nest with or without eggs or birds—as presented in children’s literature may seem marginal, even obscure. Yet references to it abound in children’s magazines in the second half of the nineteenth...

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My Folk Revival: Childhood, Politics, and Popular Music

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pp. 151-168

In the summer of 2010, my wife, Becky Kennerly, and I drove to Hollins University, near Roanoke, Virginia, where I was delivering a lecture about Randall Jarrell’s children’s story The Bat-Poet (1964) to students and faculty in the Hollins children’s literature program. As a senior professor specializing...

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Rousseau Redux: Romantic Re-Visions of Nature and Freedom in Recent Children’s Literature about Homeschooling

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pp. 169-183

“Everything is good as it leaves the hands of the Author of things; everything degenerates in the hands of man” (37). With this famous opening line of Émile, Jean-Jacques Rousseau delivered what is arguably the most famous statement of the creed of childhood innocence, that children are naturally good and are corrupted only through improper education at the...

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Teletubbies and the Conflict of the Romantic Concept of Childhood and the Realities of Postmodern Parenting

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pp. 184-199

Teletubbies is the popular but controversial television program, developed by the BBC specifically for very young children, which ran from 1997 to 2001, first in England. The program was subsequently introduced a year later on PBS in the United States. This children’s television program both reintroduced and questioned some of the basic Romantic notions of childhood...

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The Sustaining Paradox: Romanticism and Alan Moore’s Promethea Novels

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p. 200

In 1957, Frank Kermode published Romantic Image and put paid to the half century of resistance to the lure of Romanticism expressed by writers as diverse as T. S. Eliot, F. L. Lucas, F. R. Leavis, and T. E. Hulme. Since then, the continuing influence of Romanticism right up to our own day is pretty much a given. In 1985, Jerome McGann published The Romantic Ideology,...

Notes on Contributors

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pp. 217-219

Index

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pp. 221-237