In this Book

  • The Mother in the Age of Mechanical Reproduction: Psychoanalysis, Photography, Deconstruction
  • Book
  • Elissa Marder
  • 2012
  • Published by: Fordham University Press
summary
This book grows out of a longstanding fascination with the uncanny status of the mother in literature, philosophy,psychoanalysis, film, and photography. The mother haunts Freud's writings on art and literature, emerges as an obscure stumbling block in his metapsychological accounts of the psyche, and ultimately undermines his patriarchalaccounts of the Oedipal complex as a foundation for human culture. The figure of the mother becomes associated with some of psychoanalysis's most unruly and enigmatic concepts (the uncanny, anxiety, the primal scene, the crypt, and magical thinking). Read in relation to deconstructive approaches to the work of mourning, this book shows how the maternal function challenges traditional psychoanalytic models of the subject, troubles existing systems of representation, and provides a fertile source for nonmimetic, nonlinear conceptions of time and space.The readings in this book examine the uncanny properties of the maternal function in psychoanalysis, technology, and literature in order to show that the event of birth is radically unthinkable and often becomes expressed through uncontrollable repetitions that exceed the bounds of any subject. The maternal body often serves as an unacknowledged reference point for modern media technologies such as photography and the telephone, which attempt to mimic its reproductive properties. To the extent that these technologies aim to usurp the maternal function, they are often deployed as a means of regulating or warding off anxieties that are provoked by the experience of loss that real separation from the mother invariably demands. As the incarnation of our first relation to the strange exile of language, the mother is inherently a literary figure, whose primal presence in literary texts opens us up to theunspeakable relation to our own birth and, in so doing, helps us give birth to new and fantasmatic images of futures that might otherwise have remained unimaginable.

Table of Contents

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  1. Cover
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  1. Title Page and Copyright
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  1. Contents
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  1. Acknowledgments
  2. pp. ix-xi
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  1. Introduction: Pandora’s Legacy
  2. pp. 1-16
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  1. Part One Psychoanalysis and the Maternal Function
  2. p. 17
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  1. One The Sex of Death and the Maternal Crypt
  2. pp. 19-36
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  1. Two Mourning, Magic, and Telepathy
  2. pp. 37-52
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  1. Three The Sexual Animal and the Primal Scene of Birth
  2. pp. 53-76
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  1. Four Back of Beyond: Anxiety and the Birth of the Future
  2. pp. 77-88
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  1. Part Two Photography and the Prosthetic Maternal
  2. p. 89
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  1. Five On Psycho-Photography: Shame and Abu Ghraib
  2. pp. 91-110
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  1. Six Avital Ronell’s Body Politics
  2. pp. 111-129
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  1. Seven Blade Runner ’s Moving Still
  2. pp. 130-148
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  1. Eight Nothing to Say: Fragments on the Mother in the Age of Mechanical Reproduction
  2. pp. 149-159
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  1. Part Three Photo-Readings and the Possible Impossibilities of Literature
  2. p. 161
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  1. Nine Darkroom Readings: Scenes of Maternal Photography
  2. pp. 163-194
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  1. Ten The Mother Tongue in Phèdre and Frankenstein
  2. pp. 195-213
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  1. Eleven Birthmarks (Given Names)
  2. pp. 214-228
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  1. Twelve Bit: Mourning Remains in Derrida and Cixous
  2. pp. 229-249
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  1. n o t e s
  2. pp. 251-284
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  1. Bibliography
  2. pp. 285-300
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  1. Index
  2. pp. 301-306
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