In this Book

Table of Contents

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  1. Cover
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  1. Title Page, Copyright
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  1. Contents
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  1. Acknowledgments
  2. p. vii
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  1. Introduction
  2. pp. 1-10
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  1. PART 1. WHY HORROR?
  2. p. 11
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  1. 1. Black Screens, Lost BodiesThe Cinematic Apparatus of 9/11 Horror
  2. pp. 13-39
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  1. 2. Let’s RollHollywood Takes on 9 /11
  2. pp. 40-61
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  1. 3. Transforming Horror: David Cronenberg’s Cinematic Gestures after 9 /11
  2. pp. 62-80
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  1. PART 2. HORROR LOOKS AT ITSELF
  2. p. 81
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  1. 4. Caught on Tape? The Politics of Video in the New Torture Film
  2. pp. 83-106
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  1. 5. Cutting into Concepts of “Reflectionist” Cinema? The Saw Franchise and Puzzles of Post- 9/11 Horror
  2. pp. 107-123
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  1. 6. The Host versus Cloverfield
  2. pp. 124-141
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  1. 7. “Shop ’Til You Drop!” Consumerism and Horror
  2. pp. 142-162
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  1. PART 3. HORROR IN ACTION
  2. p. 163
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  1. 8. Historicizing the Bush Years: Politics, Horror Film, and Francis Lawrence’s I Am Legend
  2. pp. 165-185
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  1. 9. “I Am the Devil and I’m Hereto Do the Devil’s Work”: Rob Zombie, George W. Bush, and the Limits of American Freedom
  2. pp. 186-199
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  1. 10. “Forever Family” Values: Twilight and the Modern Mormon Vampire
  2. pp. 200-219
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  1. 11. Assimilation and the Queer Monster
  2. pp. 220-234
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  1. Selected Bibliography
  2. pp. 235-242
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  1. Selected Filmography
  2. pp. 243-246
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  1. Contributors
  2. pp. 247-249
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  1. Index
  2. pp. 251-263
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